American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
ON the sidewalk, the branches and leaves of a tree made an enchanting
pattern of shadow—cast it seemed by the moonlight, though it was only by
the electric arc on the corner. But, as Felix looked up, he saw, past
that false light, the moon itself, above the low roofs. It seemed to
spring free from an encumbering wrack of grey clouds, and stay poised,
alone and splendid, in the blue depths of sky. Felix’s gaze went to that
far white beacon with a sense of return to his own world—and with a
sense of profound release in that return.... For there was a world
besides the world of daylit reality; a world not of work and wages, of
code and custom, of law and habit; another world besides that in which
men and women customarily dwelt—yes, there was this world lit by the
changing and ranging moon! Though people turned their backs upon it, and
hid within their houses, and sought to escape its disturbing influences,
it was there. It always had been there, it always would be there. It was
as real as the workaday world. And it was his world. He had tried to
renounce it, to shut it out, to flee from its magic. He had tried to
believe that there was nothing in life except that routine of daily
reality in which he was immersed. A world of debts, and promises to pay;
a world of roofs, owned and dwelt under and ever returned to. There was
something close and cloying about that world; something of the fetid
odour of toil hung about its very pleasures. It was slavery; its
laughter and kisses were the gilt upon the chains. Believing in that
slavery, men had built the four walls of the world, stone upon stone.
And yet, outside, was freedom....
Public-domain text, read in full here on John Shaqi.
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