American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
Even to himself, as he conned over these thoughts, standing bareheaded
on the sidewalk, with a mind confused as by the splendour of a
revelation, they seemed wanting in final definite clearness. He was
happy in a profound discovery, which he sought to put into words to
carry back to Rose-Ann. Not that she did not know already; for had she
not forced this discovery upon him? She had known all along! And when he
returned, there would be no words needed. But still he must seek for the
words.... But any way he tried to put it to himself sounded so damned
mystical, like some cryptic sentence of William Blake’s. And it was all
so obvious! _They were free._ Yet that meant nothing. Foolish people
like Clive Bangs were always talking about “freedom.” They were free,
one might put it that way, free _not_ to love each other! A blessed
freedom.... One might love any woman. But here was something greater
than love. To know that there was something in themselves still
uncaptured, ever unattainable—something which could not be yielded, by
whose inviolable having they moved secure and serene among a world of
emotional bond-slaves, like the moon among the shattered vainly-grasping
clouds! More beautiful in her than any bodily beauty was that ultimate
self-possession, that unshaken and unshakeable identity, of which that
gesture of hers, pointing him to the door, had been the symbol. Not
because they needed each other, not because they were so poor in spirit
that each must lean upon the other—no, not in poverty of soul, but in a
sublime indifference, their love had its origin. Because they did not
need each other, because they could do without each other, this was
added unto them, this happiness of being together. Felix saw himself and
Rose-Ann like mountain-climbers, high on some chill peak above a coward,
sleepy world that dozed and battened beneath its coverlets. Or like two
eagles, circling in the austere upper air. Theirs should be no common
happiness....
He turned to re-enter the studio.
2
The door was locked, and he had to use his key. He did so only
half-consciously, and blinked at the blaze of light inside. It was a few
seconds before he saw.
On the settle, and strewn over chairs, and on the floor, lay half of
Rose-Ann’s wardrobe; and Rose-Ann herself, with her face hidden in her
arms, was seated ridiculously in an open suitcase on the floor, from
which the ends of stockings strayed out—seated there, with her arms on
her knees, rocking back and forth, and crying, with a low, choked
sobbing—rocking back and forth, back and forth, in the suitcase, like a
child in a cradle, crying....
She had been packing up. To go. And she was crying. He stared at her,
and the vision he had had outside of their splendid happiness was
obliterated by the wash of a vast wave of bitterness.
Public-domain text, read in full here on John Shaqi.
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