American fiction -- 20th century; Chicago (Ill.) -- Fiction; Journalists -- Fiction; Marriage -- Fiction
“No longer her own,” Rose-Ann finished, “and no longer merely cake—but a
piece of Wedding Cake! Will she put it under her pillow, I wonder, and
dream of getting another husband? She’s a widow, and her husband used to
get drunk ‘something awful.’ Yes, she was telling me all about it—I
think by way of warning, so I wouldn’t be too badly disillusioned by the
facts of marriage. ‘You can’t expect ’em to be angels,’ she said. So you
see Felix, I’m prepared for anything!”
This speech jarred upon Felix. It was too much in the vein that Clive
had been indulging all evening. He wondered if he were going to become
critical of Rose-Ann, now that he had a sense of possession with regard
to her. He said to himself that Rose-Ann was over-wrought and he himself
over-sensitive.
“Rose-Ann, here at my right hand,” Clive was saying, “Felix, here at my
left. I believe that is correct. The Witness will take the remaining
seat, opposite me. First of all, we must have a toast.” He rose. “Up
with you all! No, Rose-Ann, you sit still—you can’t drink your own
health.... Here’s to the bride!”
They lifted their glasses.
“No—wait till I finish my speech.... In defiance of all the laws of
nature and of modern realistic fiction, we wish her happiness!... No,
that isn’t all I have to say.... We make this wish—at least I do—with an
unwonted confidence in its fulfilment. For this is no ordinary marriage,
dedicated to the prosaic comforts of a mutual bondage—it is an attempt
to realize the sharp new joys of freedom. A marriage, let us say, in
name only—for upon Rose-Ann I set my faith, believing that not even a
wedding can turn her into a wife!” Rose-Ann looked up at him and smiled.
“To Rose-Ann,” he concluded, “and her adventure!”
They drank. Felix looked at the others. He had a sense of something
having been outraged by this speech—something which, if only a
tradition, was somehow real to all of them except Clive. But Rose-Ann
merely looked amused, and Phyllis’s expression told him nothing. He
reflected, “She’s used to him by this time.”
A sense of embarrassment remained with him, in spite of the light talk
that followed as Clive heaped their plates in turn with roast duck and
dressing.
“Why are you so quiet, Felix?” Clive asked at last. “You might at least
tell us how it feels to be a bridegroom—whether you feel as depressed as
you look.”
“I confess I shall be glad when it’s over,” said Felix.
They laughed, and went on talking. Rose-Ann was apparently enjoying
herself. She and Clive were exchanging pleasantries on the subject of
“modern marriage.” For some reason the phrase annoyed Felix. Did they
know what nonsense they were talking? Or did they really think that his
and Rose-Ann’s marriage was to be, as it were, a sociological
performance for the benefit of on-lookers?
Presently Rose-Ann was humourously disclaiming “all the credit” for the
modernity of the arrangement. Felix, she insisted, was equally entitled
to it; he was just as modern as she was!
Public-domain text, read in full here on John Shaqi.
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