The Bridal of Pennacook: Part 2 From Volume I of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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The Bridal of Pennacook: Part 2 From Volume I of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American poetry -- 19th century
It may be that these fragments owe alone
To the fair setting of their circumstances,--
The associations of time, scene, and audience,--
Their place amid the pictures which fill up
The chambers of my memory. Yet I trust
That some, who sigh, while wandering in thought,
Pilgrims of Romance o'er the olden world,
That our broad land,--our sea-like lakes and mountains
Piled to the clouds, our rivers overhung
By forests which have known no other change
For ages than the budding and the fall
Of leaves, our valleys lovelier than those
Which the old poets sang of,--should but figure
On the apocryphal chart of speculation
As pastures, wood-lots, mill-sites, with the privileges,
Rights, and appurtenances, which make up
A Yankee Paradise, unsung, unknown,
To beautiful tradition; even their names,
Whose melody yet lingers like the last
Vibration of the red man's requiem,
Exchanged for syllables significant,
Of cotton-mill and rail-car, will look kindly
Upon this effort to call up the ghost
Of our dim Past, and listen with pleased ear
To the responses of the questioned Shade.
I. THE MERRIMAC.
O child of that white-crested mountain whose
springs
Gush forth in the shade of the cliff-eagle's
wings,
Down whose slopes to the lowlands thy wild waters
shine,
Leaping gray walls of rock, flashing through the
dwarf pine;
From that cloud-curtained cradle so cold and so
lone,
From the arms of that wintry-locked mother of
stone,
By hills hung with forests, through vales wide and
free,
Thy mountain-born brightness glanced down to the
sea.
No bridge arched thy waters save that where the
trees
Stretched their long arms above thee and kissed in
the breeze:
No sound save the lapse of the waves on thy
shores,
The plunging of otters, the light dip of oars.
Green-tufted, oak-shaded, by Amoskeag's fall
Thy twin Uncanoonucs rose stately and tall,
Thy Nashua meadows lay green and unshorn,
And the hills of Pentucket were tasselled with
corn.
But thy Pennacook valley was fairer than these,
And greener its grasses and taller its trees,
Ere the sound of an axe in the forest had rung,
Or the mower his scythe in the meadows had
swung.
In their sheltered repose looking out from the
wood
The bark-builded wigwams of Pennacook stood;
There glided the corn-dance, the council-fire shone,
And against the red war-post the hatchet was
thrown.
There the old smoked in silence their pipes, and
the young
To the pike and the white-perch their baited lines
flung;
There the boy shaped his arrows, and there the
shy maid
Wove her many-hued baskets and bright wampum
braid.
O Stream of the Mountains! if answer of thine
Could rise from thy waters to question of mine,
Methinks through the din of thy thronged banks
a moan
Of sorrow would swell for the days which have
gone.
Not for thee the dull jar of the loom and the wheel,
The gliding of shuttles, the ringing of steel;
But that old voice of waters, of bird and of breeze,
The dip of the wild-fowl, the rustling of trees.
Public-domain text, read in full here on John Shaqi.
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