Historical fiction; Norway -- Social life and customs -- Fiction; Women -- Norway -- Fiction
When they were through the gate and were come into the cloister, all the
nuns came marching two by two towards them from the church, while song
and music streamed out after them through the open door.
Ill at ease, Kristin watched the many black-robed women with white linen
wimples about their faces. She curtsied low, and the men bowed with
their hats held close to their breasts. After the nuns came a flock of
young maidens—some of them but children—in gowns of undyed wadmal, their
waists bound with belts of twined black and white, and their hair
braided tightly back from their faces with cords of the same black and
white. Without thinking, Kristin put on a bold and forward look as the
young maids passed, for she felt bashful, and was afraid they must think
she looked countrified and foolish.
The convent was so glorious that she was quite overcome. All the
buildings round the inner court were of grey stone; on the north side
the main-wall of the church stood up high above the other houses; it had
two tiers of roofs and towers at the west end. The court itself was laid
with stone flags, and round the whole there ran a covered way whose roof
was borne on pillars fairly wrought. In the midst of the court stood a
stone statue of the Mater Misericordiæ, spreading her cloak over some
kneeling figures.
Then a lay-sister came and prayed them to go with her to the Abbess’
parlour. The Lady Groa Guttormsdatter was a tall and stoutly-made old
woman—she would have been comely had she not had so many hairs about her
mouth. Her voice was deep like a man’s. But her bearing was gentle and
kindly—she called to mind that she had known Lavrans’ father and mother,
and asked after his wife and his other children. Last she spoke to
Kristin in friendly wise:
Public-domain text, read in full here on John Shaqi.
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