Many notes were printed at the bottoms of the pages. They burned there
like short tapers in dim places, often lighting up obscure faiths and
customs of our puzzled human race. His eyes roved from taper to taper,
as gathering knowledge ray by ray. A small book lay near the large
one. It dealt with primitive nature-worship; and it belonged in the
class of those that are kept under lock and key by the libraries which
possess them as unsafe reading for unsafe minds.
Sheets of paper covered with the man’s clear, deliberate handwriting
lay thickly on the desk. A table in the centre of the room was strewn
with volumes, some of a secret character, opened for reference. On the
tops of two bookcases and on the mantelpiece were prints representing
scenes from the oldest known art of the East. These and other prints
hanging about the walls, however remote from each other in the times
and places where they had been gathered, brought together in this room
of a quiet Kentucky farmhouse evidence bearing upon the same object:
the subject related in general to trees and in especial evergreens.
While the man was immersed in his work, he appeared not to be
submerged. His left hand was always going out to one or the other of
three picture-frames on the desk and his fingers bent caressingly.
Two of these frames held photographs of four young children--a boy and
a girl comprising each group. The children had the air of being well
enough bred to be well behaved before the camera, but of being unruly
and disorderly out of sheer health and a wild naturalness. All of them
looked straight at you; all had eyes wide open with American frankness
and good humor; all had mouths shut tight with American energy and
determination. Apparently they already believed that the New World was
behind them, that the nation backed them up. In a way you believed
it. You accepted them on the spot as embodying that marvellous
precocity in American children, through which they early in life
become conscious of the country and claim it their country and believe
that it claims them. Thus they took on the distinction of being a
squad detached only photographically from the rank and file of the
white armies of the young in the New World, millions and millions
strong, as they march, clear-eyed, clear-headed, joyous, magnificent,
toward new times and new destinies for the nation and for humanity--a
kinder knowledge of man and a kinder ignorance of God.
The third frame held the picture of a woman probably thirty years of
age. Her features were without noticeable American characteristics.
What human traits you saw depended upon what human traits you saw
with.
Public-domain text, read in full here on John Shaqi.
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