All Katharina's sympathy with Heliodora had died finally in the course of the past, moonless night. She had secretly accompanied her, with her maid and an old deaf and dumb stable-slave, to a soothsayer--for there still were many in Memphis, as well as magicians and alchemists; and this woman had told the young widow that her line of life led to the greatest happiness, and that even the wildest wishes of her heart would find fulfilment. What those wishes were Katharina knew only too well; the probability of their accomplishment had roused her fierce jealousy and made her hate Heliodora. Heliodora had gone to consult the sorceress in a simple but rich dress. Her peplos was fastened on the shoulder, not by an ordinary gold pin, but by a button which betrayed her taste for fine jewels, as it consisted of a sapphire of remarkable size; this had at once caught the eye of the witch, showing her that she had to deal with a woman of rank and wealth. She had taken Katharina, who had come very plainly dressed, for her companion or poor friend, so she had promised her no more than the removal of certain hindrances, and a happy life at last, with a husband no longer young and a large family of children. The woman's business was evidently a paying one; the interior of her house was conspicuously superior to the wretched hovels which surrounded it, in the poorest and most squalid part of the town. Outside, indeed, it differed little from its neighbors; in fact; it was intentionally neglected, to mislead the authorities, for witchcraft and the practice of magic arts were under the penalty of death. But the fittings of the roofless centre-chamber in which she was wont to perform her incantations and divinations argued no small outlay. On the walls were hangings with occult figures; the pillars were painted with weird and grewsome pictures; crucibles and cauldrons of various sizes were simmering over braziers on little altars; on the shelves and tables stood cups, phials, and vases, a wheel on which a wryneck hopped up and down, wax images of men and women--some with needles through their hearts, a cage full of bats, and glass jars containing spiders, frogs, leeches, beetles, scorpions, centipedes and other foul creatures; and lengthways down the room was stretched a short rope walk, used in a Thracian form of magic. Perfumes and pungent vapors filled the air, and from behind a curtain which hid the performers came a monotonous music of children's voices, bells, and dull drumming. Medea, so the wise woman was called, though scarcely past five and forty, harmonized in appearance with this strange habitation, full as it was of objects calculated to rouse repulsion, dread, and amazement. Her face was pale, and her extraordinary height was increased by a mass of coal- black hair, curled high over a comb at the very top of her head.