The bride's fate: The sequel to "The changed brides"Southworth, Emma Dorothy Eliza Nevitte
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The bride's fate: The sequel to "The changed brides"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
“Why, Drusilla,” she said, “you are but sixteen years old. When your son
is grown up, say at twenty, you will be but thirty-six, in the very
maturity of a healthy woman’s strength and beauty. Your son will be your
dearest friend and companion; if you have lost somewhat of the wife’s
happiness, you will have an unusual share of the mother’s joy. You are
still so young, such a mere child yourself, that you may take your
little son by the hand with the prospect of going nearly the whole
journey of life together. You will be his playfellow in his childish
sports; his fellow student in his boyish studies, and his comrade in his
youthful travels. You will go on in life and grow old together—or almost
together.”
“Oh, so we will. I did not think of it before. I was thinking that the
mother of a grown son must be quite an aged lady. Alick’s mother was
quite aged and infirm.”
“Yes, because she was forty-four years old when Alick was born, which
makes some difference, you know,’ laughed Anna.”
There was silence a little while and then Anna said,
“You will have much joy in your son, if the Lord should spare him to
you, Drusilla.”
“The Lord _will_ spare him to me. I feel convinced of it,” answered the
young mother reverently.
“And every year—nay, every month—your joy will increase; for as his
affections and intelligence develop, he will grow more and more
interesting and attractive to you.”
“It seems to me that he could scarcely ever be more interesting and
attractive than he is now. Look at him, Anna. See how beautiful are his
mute, faint efforts to express the love he feels, but does not
understand. ‘Touch is the love sense.’ He knows that, at least; and see
how his little hands tremble up towards mine and then drop; and see the
smile dawning in his eyes, and fluttering around his lips, as if
uncertain of itself? Will you tell me, at what time of a child’s
existence it is sweeter and lovelier than now in its first budding into
life?”
Before Anna could answer the question, the door was opened by mammy, who
chirpingly announced:
“Here is Leo, from Cedarwood, ma’am, bringing letters for you.”
And she closed the door, leaving Leo standing before his astonished
mistress.
“It is my footman from my old home, dear Anna,” explained Drusilla.
Then, turning to the messenger, she held out her hand and said:
“How do you do, Leo? You have letters for me?”
Leo slowly took a packet from his pocket, handed them over to his
mistress, and then, lifting both his hands to his eyes, burst out crying
and ROARED as only a negro boy with his feelings hurt can do.
“Why, what is the matter?” anxiously inquired Drusilla, pausing in the
examination of her letters, in her pity for the distress of the
boy—“What is the matter, my poor Leo?”
Public-domain text, read in full here on John Shaqi.
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