Accident victims -- Fiction; Bridges -- Accidents -- Peru -- Fiction; Historical fiction; Peru -- Fiction
Thus on the night following the scandal in the theatre she wrote Letter
XXII and retired to bed with a carafe. All next day Pepita moved about
the room, glancing anxiously at the figure on the bed. The next
afternoon Pepita brought her needlework into the room. The Marquesa lay
staring at the ceiling with wide-open eyes, talking to herself. Towards
dusk Pepita was called to the door and informed that the Perichole had
come to see the mistress. Pepita remembered the theatre very well and
sent back word angrily that the mistress refused to see her. The man
carried the message to the street door, but returned awestruck with the
news that the Señora Perichole was armed with a letter from the Viceroy
presenting her to the lady. Pepita tiptoed to the bed and started
talking to the Marquesa. The glazed eyes moved to the girl's face.
Pepita shook her gently. With great effort Doña María tried to fix her
mind on what was being said to her. Twice she lay back, refusing to
seize the meaning, but at last, like a general calling together in a
rain and by night the dispersed division of his army she assembled
memory and attention and a few other faculties and painfully pressing
her hand to her forehead she asked for a bowl of snow. When it was
brought her, she long and drowsily pressed handfuls of it against her
temples and cheeks; then rising she stood for a long time leaning
against the bed and looking at her shoes. At last she raised her head
with decision, she called for her fur-trimmed cloak and a veil. She put
them on and tottered into her handsomest reception room where the
actress stood waiting for her.
Camila had intended to be perfunctory and if possible impudent, but now
she was struck for the first time with the dignity of the old woman. The
mercer's daughter could carry herself at times with all the distinction
of the Montemayors and when she was drunk she wore the grandeur of
Hecuba. For Camila the half-closed eyes had the air of weary authority
and she began almost timidly:
"I come, señora, to make sure that you could not have misunderstood
anything I said on the evening that Your Grace did me the honour to
visit my theatre."
"Misunderstood? Misunderstood?" said the Marquesa.
"Your Grace might have misunderstood and thought that my words were
intended to be disrespectful to Your Grace."
"To me?"
"Your Grace is not offended at her humble servant? Your Grace is aware
that a poor actress in my position may be carried beyond her
intentions ... that it is very difficult ... that everything...."
"How can I be offended, señora? All that I can remember is that you
gave a beautiful performance. You are a great artist. You should be
happy, happy. My handkerchief, Pepita...."
The Marquesa brought out these words very rapidly and vaguely, but the
Perichole was confounded. A piercing sense of shame filled her. She
turned crimson. At last she was able to murmur:
"It was in the songs between the acts of the comedy. I was afraid Your
Grace ..."
Public-domain text, read in full here on John Shaqi.
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