As he approached twenty, Uncle Pio came to see quite clearly that his life had three aims. There was first this need of independence, cast into a curious pattern, namely: the desire to be varied, secret and omniscient. He was willing to renounce the dignities of public life, if in secret he might feel that he looked down upon men from a great distance, knowing more about them than they knew themselves; and with a knowledge which occasionally passed into action and rendered him an agent in the affairs of states and persons. In the second place he wanted to be always near beautiful women, of whom he was always in the best and worst sense the worshipper. To be near them was as necessary to him as breathing. His reverence for beauty and charm was there for anyone to see and to laugh at, and the ladies of the theatre and the court and the houses of pleasure loved his connoisseurship. They tormented him and insulted him and asked his advice and were singularly comforted by his absurd devotion. He suffered greatly their rages and their meannesses and their confiding tears; all he asked was to be accepted casually, to be trusted, to be allowed like a friendly and slightly foolish dog to come and go in their rooms and to write their letters for them. He was insatiably curious about their minds and their hearts. He never expected to be loved by them (borrowing for a moment another sense of that word); for that, he carried his money to the obscurer parts of the city; he was always desperately unprepossessing, with his whisp of a moustache and his whisp of a beard and his big ridiculous sad eyes. They constituted his parish; it was from them that he acquired the name of Uncle Pio and it was when they were in trouble that he most revealed himself; when they fell from favour he lent them money, when they were ill he outlasted the flagging devotion of their lovers and the exasperation of their maids; when time or disease robbed them of their beauty, he served them still for their beauty's memory; and when they died his was the honest grief that saw them as far as possible on their journey. In the third place he wanted to be near those that loved Spanish literature and its masterpieces, especially in the theatre. He had discovered all that treasure for himself, borrowing or stealing from the libraries of his patrons, feeding himself upon it in secrecy,--behind the scenes, as it were, of his mad life. He was contemptuous of the great persons who for all their education and usage, exhibited no care nor astonishment before the miracles of word order in Calderón and Cervantes. He longed himself to make verses. He never realized that many of the satirical songs he had written for the vaudevilles passed into folk-music and have been borne everywhere along the highroads.