Accident victims -- Fiction; Bridges -- Accidents -- Peru -- Fiction; Historical fiction; Peru -- Fiction
But for all his activity nothing made Uncle Pio rich. One would have
said that he abandoned a venture when it threatened to prosper. Although
no one knew it, he owned a house. It was full of dogs that could add and
multiply and the top floor was reserved for birds. But even in this
kingdom he was lonely, and proud in his loneliness, as though there
resided a certain superiority in such a solitude. Finally he stumbled
upon an adventure that came like some strange gift from the skies and
that combined the three great aims of his life: his passion for
overseeing the lives of others, his worship of beautiful women, and his
admiration for the treasures of Spanish literature. He discovered Camila
Perichole. Her real name was Micaela Villegas. She was singing in cafés
at the age of twelve and Uncle Pio had always been the very soul of
cafés. Now as he sat among the guitarists and watched this awkward girl
singing ballads, imitating every inflection of the more experienced
singers who had preceded her, the determination entered his mind to play
Pygmalion. He bought her. Instead of sleeping locked up in the wine bin,
she inherited a cot in his house. He wrote songs for her, he taught her
how to listen to the quality of her tone, and bought her a new dress. At
first all she noticed was that it was wonderful not to be whipped, to be
offered hot soups, and to betaught something. But it was Uncle Pio who
was really dazzled. His rash experiment flourished beyond all prophecy.
The little twelve-year-old, silent and always a little sullen, devoured
work. He set her endless exercises in acting and mimicry; he set her
problems in conveying the atmosphere of a song; he took her to the
theatres and made her notice all the details of a performance. But it
was from Camila as a woman that he was to receive his greatest shock.
The long arms and legs were finally harmonized into a body of perfect
grace. The almost grotesque and hungry face became beautiful. Her whole
nature became gentle and mysterious and oddly wise; and it all turned to
him. She could find no fault in him and she was sturdily loyal. They
loved one another deeply but without passion. He resected the slight
nervous shadow that crossed her face when he came too near her. But
there arose out of this denial itself the perfume of a tenderness, that
ghost of passion which, in the most unexpected relationship, can make
even a whole lifetime devoted to irksome duty pass like a gracious
dream.
They travelled a great deal, seeking new taverns, for the highest
attribute of a café singer will always be her novelty. They went to
Mexico, their odd clothes wrapped up in the self-same shawl. They slept
on beaches, they were whipped at Panama and shipwrecked on some tiny
Pacific islands plastered with the droppings of birds. They tramped
through jungles delicately picking their way among snakes and beetles.
They sold themselves out as harvesters in a hard season. Nothing in the
world was very surprising to them.
Public-domain text, read in full here on John Shaqi.
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