The Bridge of the Gods: A Romance of Indian Oregon. 19th Edition.Balch, Frederic Homer
General
The Bridge of the Gods: A Romance of Indian Oregon. 19th Edition.
Balch, Frederic Homer
Indians of North America -- Fiction; Oregon -- Fiction
An unwonted stir breaks the silence and solemnity of the waiting
congregation, as an official party enters. It is the Governor of the
colony and his staff, who are making a tour of the province, and have
stopped over Sunday in the little frontier settlement,--for although
the Governor is an august man, even he may not presume to travel on
the Sabbath in this land of the Puritans. The new-comers are richly
dressed. There is something heavy, massive, and splendid in their
garb, especially in the Governor's. He is a stately military-looking
man, and wears his ample vestments, his embroidered gloves, his lace
and ruffles, with a magisterial air.
A rustle goes through the audience as the distinguished visitors pass
up the aisle to the front seats assigned, as the custom was, to
dignitaries. Young people steal curious glances at them; children turn
around in their seats to stare, provoking divers shakes of the head
from their elders, and in one instance the boxing of an ear, at which
the culprit sets up a smothered howl, is ignominiously shaken, and
sits swelling and choking with indignant grief during the remainder of
the service.
At length the drum ceased, indicating both the arrival of the minister
and the time for service to begin.
The minister took his place in the pulpit. He was a young man, of
delicate mould, with a pale and intellectual face. Exquisite
sensitiveness was in the large gray eyes, the white brow, the delicate
lips, the long slender fingers; yet will and energy and command were
in them all. His was that rare union of extreme sensibility with
strong resolution that has given the world its religious leaders,--its
Savonarolas and Chrysostoms; men whose nerves shrank at a discord in
music, but when inspired by some grand cause, were like steel to
suffer and endure.
Something of this was in the minister's aspect, as he stood before the
people that morning. His eyes shone and dilated, and his slight figure
gathered dignity as his gaze met that of the assembly. There was no
organ, that instrument being deemed a device of the Prince of Darkness
to lead the hearts of the unwary off to popery; but the opening hymn
was heartily sung. Then came the Scripture reading,--usually a very
monotonous performance on the part of Puritan divines; but as given in
the young minister's thoughtfully modulated voice, nothing could have
been more expressive. Every word had its meaning, every metaphor was a
picture; the whole psalm seemed to breathe with life and power: "Lord,
thou hast been our dwelling-place in all generations."
Public-domain text, read in full here on John Shaqi.
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