The echo of that futile shot followed Charles Abbott to the Escobars',
where, because of the often repeated names of its principals, he
recognized that the affair was being minutely discussed. The room in
which they sat was octagonal, with the high panels of its walls no
more than frames for towering glass doors set in dark wood; above were
serrated openings, Eastern in form, and the doors were supported by
paired columns of glacial white marble. It was entered through a long
corridor of pillars capped in black onyx with wicker chairs, a tiling
laid in arabesques and potted palms; and opposite was the balcony over
the Prado. A chandelier of crystal, hanging by a chain from the remote
ceiling, with a frosted sparkle like an illuminated wedding cake,
unaffected by prismatic green and red flashes, filled the interior
with a chilly brightness. The chairs of pale gilt set in a circle, the
marble pattern of the floor, the dark heads of the Escobars, looked as
though they were bathed in a vitreous fluid preserving them in a hard
pallor forever.
But it was cool; the beginning constant night breeze fluttered the
window curtains and swayed the pennants of smoke from the cigars.
Domingo Escobar finished what was evidently a satirical period with a
decisive clearing of his throat--a-ha! He was a small rotund man with
a gigantic moustache laid without a brown hair misplaced over a mouth
kindly and petulant. His wife, Carmita, obese with indulgent
indolence, her placid expression faintly acid, waved a little hand,
like a blanched almond, indicative of her endless surprise at the
clamor of men. Andres was silent, immobile, faultless in a severity of
black and white.
Charles had begun to admire him inordinately: above everything,
Andres possessed a simple warmness of heart, a generosity of emotion,
together with a fastidious mind. Fortunate combination. And his
person, his gestures and flashing speech, his brooding, were invested
by an intangible quality of romance; whatever he did was absorbing,
dramatic and--and fateful. He was a trifle aloof, in spite of his
impulsive humanity, a thought withdrawn as though by a shadow that
might have been but his unfailing dignity.
Charles' gaze wandered from him to Narcisa, who, Domingo Escobar had
said, resembled a flower bud. As she sat in pale yellow ruffles, with
her slim hands clasped and her composed face framed in a wide dense
stream of hair, she was decidedly fetching. Or, rather, she gave
promise of charm; at present, she was too young to engage him in any
considerable degree. Narcisa, he concluded, was fourteen. At very long
intervals she looked up and he caught a lustrous, momentary
interrogation of big black eyes. A very satisfactory sister for Andres
Escobar to have; and, wondering at the absence of Vincente, the eldest
son, Charles asked Andres about his brother.
Public-domain text, read in full here on John Shaqi.
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