The British Navy in BattlePollen, Arthur Joseph Hungerford
History
The British Navy in Battle
Pollen, Arthur Joseph Hungerford
Great Britain. Royal Navy; World War, 1914-1918 -- Naval operations
A minority, no doubt, was uneasy and did inquire. But they found their
path crossed by difficulties almost insuperable. The literature of
sea-power was based entirely upon the history of the great sea wars of
a dim past. Mahan, it is true, had so elucidated the broad doctrines
of sea strategy that it seemed as if he who ran might read. But lucid
and convincing as is his analysis, urbane and judicial as is his
style, Mahan’s work could not make the bulk of his readers adepts in
naval doctrine. The fact seems to be that the fabled mysteries of the
sea make every truth concerning it elusive, difficult for any one but
a sailor to grasp. The difficulties were hardly lessened by Mahan’s
chief work having dealt completely with the past. The most important
of the world’s sea wars may be said to begin with the Armada and to
end in 1815. In these two and one quarter centuries the implements of
naval warfare changed hardly at all. Broadly speaking, from the days of
Howard of Effingham to those of Fulton and Watt, man used three-masted
ships and muzzle-loading cannon. Hence the history of the Great Age
deals very little with the technique of war.
To the lay reader, therefore, the study of sea-power, based upon these
ancient campaigns, seemed not only the pursuit of a subject vague
and elusive in itself, but one that becomes doubly unreal through
the successive revolutions of modern times. It was like studying the
politics of an extinct community told in records of a dead language.
The incendiary shell, armour to keep the shell out, steam that made
ships completely dirigible in the sense that they could with great
rapidity be turned to any chosen course, these alone had, by the middle
of the last century, completely revolutionized the tactical employment
of sea force. Steam, which made a ship easier to aim than a gun, gave
birth to ramming; and naval thought was hypnotized by this fallacy for
nearly two generations. By the end of the century the whole art had
again been changed, first by the development of the monster cannon, and
next, a far more important invention, the mountings that made first
light, and then heavy, guns so flexible in use that they could be aimed
in a moderate sea way. These and the invention of the fish torpedo and
the high speed boat for carrying it--that in the twilight of dawn and
eve would make it practically invisible--brought about fresh changes
that altered not only the tactics of battle, but those of blockade and
of many other naval operations.
Public-domain text, read in full here on John Shaqi.
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