Truly, I begin to fear lest my pen fail me altogether for the very
reason that it is of Charmian that I would tell, and of Charmian I
understand little more than nothing; for what rule has ever been
devised whereby a woman's mind may be accurately gauged, and who of all
those wise ones who have written hitherto—poets, romancers, or
historians—has ever fathomed the why and wherefore of the Mind
Feminine?
A fool indeed were I to attempt a thing impossible; I do but seek to
show her to you as I saw her, and to describe her in so far as I
learned to know her.
And yet, how may I begin? I might tell you that her nose was neither
arched nor straight, but perfect, none the less; I might tell you of
her brows, straight and low, of her eyes, long and heavy-lashed, of her
chin, firm and round and dimpled; and yet, that would not be Charmian.
For I could not paint you the scarlet witchery of her mouth with its
sudden, bewildering changes, nor show you how sweetly the lower lip
curved up to meet its mate. I might tell you that to look into her eyes
was like gazing down into very deep water, but I could never give you
their varying beauty, nor the way she had with her lashes; nor can I
ever describe her rich, warm coloring, nor the lithe grace of her body.
Thus it is that I misdoubt my pen of its task, and fear that, when you
shall have read these pages, you shall, at best, have caught but a very
imperfect reflection of Charmian as she really is.
Wherefore, I will waste no more time or paper upon so unprofitable a
task, but hurry on with my narrative, leaving you to find her out as
best you may.
CHAPTER XVI
CONCERNING, AMONG OTHER MATTERS, THE PRICE OF BEEF, AND THE LADY SOPHIA
SEFTON OF CAMBOURNE
Charmian sighed, bit the end of her pen, and sighed again. She was
deep in her housekeeping accounts, adding and subtracting and, between
whiles, regarding the result with a rueful frown.
Her sleeves were rolled up over her round, white arms, and I inwardly
wondered if the much vaunted Phryne's were ever more perfect in their
modelling, or of a fairer texture. Had I possessed the genius of a
Praxiteles I might have given to the world a masterpiece of beauty to
replace his vanished Venus of Cnidus; but, as it happened, I was only a
humble blacksmith, and she a fair woman who sighed, and nibbled her
pen, and sighed again.
"What is it, Charmian?"
"Compound addition, Peter, and I hate figures. I detest, loathe, and
abominate them—especially when they won't balance!"
"Then never mind them," said I.
"Never mind them, indeed—the idea, Sir! How can I help minding them
when living costs so much and we so poor?"
"Are we?" said I.
"Why, of course we are."
"Yes—to be sure—I suppose we are," said I dreamily.
Public-domain text, read in full here on John Shaqi.
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