She would not be expecting me yet, for I was much before my usual time,
wherefore I walked on slowly beside the brook, deliberating on what I
should say to her, until I came to that large stone where I had sat
dreaming the night when she had stood in the moonlight, and first
bidden me in to supper. And now, sinking upon this stone, I set my
elbows upon my knees, and my chin in my hands, and, fixing my eyes upon
the ever-moving waters of the brook, fell into a profound meditation.
From this I was suddenly aroused by the clink of iron and the snort of
a horse.
Wondering, I lifted my eyes, but the bushes were very dense, and I
could see nothing. But, in a little, borne upon the gentle wind, came
the sound of a voice, low and soft and very sweet—whose rich tones
there was no mistaking—followed, almost immediately, by
another—deeper, gruffer—the voice of a man.
With a bound, I was upon my feet, and had, somehow, crossed the brook,
but, even so, I was too late; there was the crack of a whip, followed
by the muffled thud of a horse's hoofs, which died quickly away, and
was lost in the stir of leaves.
I ground my teeth, and cursed that fate which seemed determined that I
should not meet this man face to face—this man whose back I had seen
but once—a broad-shouldered back clad in a blue coat.
I stood where I was, dumb and rigid, staring straight before me, and
once again a tremor passed over me, that came and went, growing
stronger and stronger, and, once again, in my head was the thud, thud,
thud of the hammer.
"'In Scarlet town, where I was born,
There was a fair maid dwellin',
Made every youth cry Well-a-way!
Her name was Barbara Allen.'"
She was approaching by that leafy path that wound its way along beside
the brook, and there came upon me a physical nausea, and ever the thud
of the hammer grew more maddening.
"'All in the merry month of May,
When green buds they were swellin',
Young Jemmy Grove on his death-bed lay,
For love of Barbara Allen.'"
Now, as she ended the verse, she came out into the open, and saw me,
and, seeing me, looked deliberately over my head, and went on singing,
while I—stood shivering:
"'So, slowly, slowly rase she up
And slowly she came nigh him,
And when she drew the curtain by—
"Young man, I think you're dyin'!"'"
And suddenly the trees and bushes swung giddily round—the grass swayed
beneath my feet—and Charmian was beside me with her arm about my
shoulders; but I pushed her from me, and leaned against a tree near by,
and hearkened to the hammer in my brain.
"Why—Peter!" said she. "Oh—Peter!"
"Please, Charmian," said I, speaking between the hammer-strokes, "do
not—touch me again—it is—too soon after—"
"What do you mean—Peter? What do you mean?"
"He has—been with you—again—"
"What do you mean?" she cried.
"I know of—his visits—if he was—the same as—last time—in a—blue
coat—no, don't, don't touch me."
Public-domain text, read in full here on John Shaqi.
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