buildings themselves, instead of the motives of the voters, the same statistics indicate, as we might expect, a like catholicity of taste in the designs of recent American buildings, and--what is more to the point--a conspicuous measure of success in fusing together and adapting to modern American needs the multifarious suggestions of the "historic styles," so that the results are neither copies nor patchwork, but consistent, intelligent and harmonious units. [Illustration: NEW PORCH, TRINITY CHURCH BOSTON] Taking next the second comparative table, we find that in the "First" and "Second" lists taken together, 20 per cent of the names are those of government or administrative buildings; 15 per cent are churches, with the same number of libraries (three of each, all on the "First" list). There are two each of museums, club houses and private residences; and one each of office buildings, hotels, and amusement houses. Here again we encounter the same breadth of judgment as in the first comparison. The BROCHURE readers, and presumably our architects generally, are willing to discover beauty alike in public, private, religious, and commercial architecture. [Illustration: PLATE V COLUMBIA UNIVERSITY LIBRARY, NEW YORK CITY] It is a significant fact that churches and libraries constitute 60 per cent of the "First" list, and that there is but one residence, and not a single commercial edifice among the ten buildings it enumerates. Apparently it is religion and education which inspire and call forth the highest results in architecture, rather than the private and commercial luxury of which we hear so much in these days. If to these sources of architectural inspiration we add that of civil government, it appears that we owe 80 per cent of the "First" list to government, religion and education--the three highest activities of the community. This is not merely due to the fact that the architectural requirements of churches and civic buildings are such as favor monumental results; for both in size and cost, and hence in the opportunity for an ample and sumptuous architectural treatment, these are often surpassed by banking and office buildings, private palaces and rich men's clubs. The presence of three truly magnificent public libraries of recent erection in the "First" list seems to me particularly encouraging, as a symptom of the extent to which the wealth of the country is being devoted to the higher interests of the people, and at the same time to the promotion of high art. That this is a correct symptom, is confirmed by such buildings, erected or about to be erected, as the Chicago Library, the magnificent New York Public Library, the new libraries at Milwaukee, Providence, Newark, N.J., Jersey City, and Washington; by the Art Museum at Chicago, the Corcoran Gallery at Washington, the new wing to the Metropolitan Museum at New York, the Phebe Hearst competition for the University of California, and other like enterprises.