The Brochure Series of Architectural Illustration, vol. 06, No. 04, April 1900: The Petit Trianon: Versailles; English Carved FireplacesVarious
History
The Brochure Series of Architectural Illustration, vol. 06, No. 04, April 1900: The Petit Trianon: Versailles; English Carved Fireplaces
Various
Architecture -- Periodicals
As we have said, an almost indispensable feature of the English garden
of this time was an artificial ruin; but although many models were
made for the erection of such a ruin at the Petit-Trianon, none was
ever erected. As a substitute however, a round tower was built, and in
honor of the original the "Chanson de Marlborough," with its simple and
plaintive air, which had just then been revived in popular favor, was
named "Marlborough's Tower." It is probable that the building was
supposed to suggest that tower from which Marlborough's widow saw the
page "_tout de noir habillé_" who came to tell her of her husband's
death. The tower ascended by an exterior staircase, and at the top was
a circular balcony from which a view of the whole domain was visible,
and from which signals might be exchanged with the palace at Versailles.
[Illustration: MANTELPIECE MONTACUTE HOUSE]
The tower was connected by a passage with the "Dairy,"--an actual and
practical creamery on a small scale, in which the Queen and her ladies
played at making butter and cheese. The walls and floor were tiled with
marble, and the tables on which the pans and utensils--all of decorated
porcelain--were set out were also of marble. A running stream of water
was conducted through the dairy to keep it cool.
The "Farm" buildings comprised a group of constructions, in which the
farmer lodged, and in which were stables for cows of which the Queen
had a splendid Swiss herd.
The completed gardens of the Little Trianon excited the most lively
praise. The poet, Chevalier Bertin, dedicated a whole elegy to them;
the Prince de Ligne wrote, "Here truly one may breathe air of happiness
and liberty. One might believe one's self a hundred leagues from the
Court." The village presented a real aspect of a rural hamlet. Indeed
the Queen had under her eyes a living picture of the country, whence
she could see the cows grazing, peasants laboring in the fields, the
cultivation of gardens, the pruning of trees, the cows coming to drink
at the lake, the washwomen washing their clothes at the stream which
flowed from the mill, and the little mill itself, grinding grain for
the inhabitants of this miniature village.
Public-domain text, read in full here on John Shaqi.
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