The Brochure Series of Architectural Illustration, vol. 06, No. 06, June 1900: The Duomo and the Campanile: Florence; Grotesques from; Notre Dame, Paris.Various
History
The Brochure Series of Architectural Illustration, vol. 06, No. 06, June 1900: The Duomo and the Campanile: Florence; Grotesques from; Notre Dame, Paris.
Various
Architecture -- Periodicals
After Giotto's death there is a wide gap in the annals of the Duomo,
for in 1348 the great plague desolated Florence, and the work came to a
standstill. After it had passed, however, there followed, as a natural
consequence, a sudden outbreak of pious superstition. Immense sums had
been bequeathed by dying men to the Church to purchase salvation; and
the Duomo, begun sixty years before, seemed hardly to correspond with
the demands of the present age. It was accordingly resolved to adopt
a new design for it on a grander scale than that planned by Arnolfo;
and while the breadth was to remain the same, the height and length
were to be increased, and the eastern end of the church to be larger.
The oversight of the work was entrusted to Francesco di Talenti, and
in 1357 the new foundations were begun. The main forms of the new
building were, in great part, determined by such of the old structure
of Giotto's time as was left standing, and by the original scheme of
Arnolfo. But the taste of the age had changed, and in grafting the
newly arisen classical ideas upon the original, the architects achieved
a result which was neither good Gothic nor good Classic. For some years
the work was now carried slowly but steadily forward, and in 1407 the
eastern tribune with its five chapels was completed, and the work was
ready to be crowned by a dome.
But here a great difficulty was encountered. The increase in the
original dimensions and the height of the walls had made it necessary
to span an enormous space, for the diameter of the octagon to be
covered was now one hundred and thirty-five feet. The records of
architecture could show no such dome as this must be. The overseers of
the work were confounded, and knew not how to proceed; and, in their
desperation made a public proclamation in 1418, that whoever wished,
might make a model for the dome, or of anything pertaining to its
construction. Fifteen models were presented, and over them there were
months of public deliberation and discussion. It was not until March,
1420, that a final conclusion was reached, and the celebrated plan of
Filippo Brunelleschi was adopted.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account