The Brochure Series of Architectural Illustration, vol. 06, No. 11, November 1900: The Work of Sir Christopher WrenVarious
History
The Brochure Series of Architectural Illustration, vol. 06, No. 11, November 1900: The Work of Sir Christopher Wren
Various
Architecture -- Periodicals
For thirty-five years work was continued on the immense edifice, the
third largest church in Christendom, under Wren's sole supervision, and
in 1710 Sir Christopher, who had been a year old when the first stone
was laid, now laid the last stone of the lantern above the dome. The
scene could hardly be better painted than in the works of Dean Milman:
[Illustration: PLATE LXXXVI SHELDONIAN THEATRE: OXFORD]
"All London had poured forth for the spectacle, which had been publicly
announced, and were looking up in wonder to the old man ... who was
on that wondrous height setting the seal, as it were, to his august
labors. If in that wide circle which his eye might embrace there
were various objects for regret and disappointment; if, instead of
beholding the various streets of the city, each converging to its
centre, London had sprung up and spread in irregular labyrinths of
close, dark, intricate lanes; if even his own Cathedral was crowded
upon and jostled by mean and unworthy buildings; yet, on the other
hand, he might survey, not the Cathedral only, but a number of stately
churches which had risen at his command and taken form and dignity
from his genius and skill. On one side the picturesque steeple of
St. Mary-le-Bow; on the other the exquisite tower of St. Bride's.
Beyond, and on all sides, if more dimly seen, yet discernible by his
partial eyesight (he might even penetrate to the inimitable interior
of St. Stephen's Walbrook), church after church, as far as St.
Dunstan's-in-the-East, perhaps Greenwich, may have been vaguely made
out in the remote distance; and all this one man had been permitted to
conceive and execute; a man not originally destined or educated for an
architect, but compelled as it were by the public necessities to assume
the office, and so to fulfil it as to stand on a level with the most
consummate masters of the art in Europe, and to take his stand on an
eminence which his English successors almost despaired of attaining."
[Illustration: GREENWICH HOSPITAL FROM THE RIVER]
But though his most notable achievement, the building of St. Paul's
had only absorbed a fraction of Wren's amazing energy, it would be
impossible even to catalogue his achievements in our present space.
[Illustration: ENTRANCE TO KENSINGTON PALACE]
Public-domain text, read in full here on John Shaqi.
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