The Brochure Series of Architectural Illustration, vol. 06, No. 11, November 1900: The Work of Sir Christopher WrenVarious
History
The Brochure Series of Architectural Illustration, vol. 06, No. 11, November 1900: The Work of Sir Christopher Wren
Various
Architecture -- Periodicals
The "Monument," the Roman Doric column which commemorates the great
fire, was built by Wren, between 1671 and 1678. He had at first
intended that it should be left hollow from top to bottom to serve as
a vertical telescope tube for astronomical purposes, but its height
proved insufficient for this. There was great debate about the ornament
for the summit. Wren wished it to be a large statue as "carrying much
dignity with it, and being more valuable in the eyes of foreigners and
strangers," but this project was abandoned on account of the expense,
and the present ornament, a flaming vase of gilt bronze, substituted.
"The great inequality of Wren's achievement," writes Fergusson, "is
nowhere more marked than in a comparison of this Monument, which is
one of the most successful Classical columns that have been erected in
Europe, with Temple Bar, which is perhaps the most unsuccessful attempt
ever made to reproduce a Classical triumphal archway."
In 1677 he commenced the library of Trinity College, Cambridge. The
work, which was not finished till 1692, is one of the handsomest
buildings in England, remarkable externally for breadth and correctness
of style, and internally as a model of excellent arrangement. In design
it is not unlike the much admired Library of Ste. Genéviève in Paris.
To Greenwich Hospital he contributed gratuitously the design for two
noble blocks of buildings completely in harmony with the earlier
portion by Inigo Jones.
[Illustration: STEEPLE, ST. STEPHEN'S WALBROOK LONDON]
He was long engaged on extensive works on Hampton Court Palace, where,
at the desire of Queen Mary, the old buildings were in part pulled down
and two sets of royal apartments built. The queen, though she amused
herself with planning the gardens and making suggestions, had yet the
wisdom to defer to Wren's better taste and knowledge. Her husband, with
characteristic obstinacy, insisted on his own ideas, thereby dwarfing
the cloisters and marring much of the architecture. It is, however,
fair to say that King William always owned that the defects were his,
the merits, Wren's; and these merits are very great, for in spite of
defects of detail, the general design is one remarkable for dignity and
breadth of conception.
[Illustration: PLATE LXXXIX TEMPLE BAR: LONDON]
Having been appointed by the Stuarts to the office of
surveyor-general, Wren retained the royal favor unclouded through the
reigns of William and Mary, and Queen Anne; but on the accession of the
Hanoverian family in 1714, the jealousies which his high position had
created were able to prevail against him. At first he was subjected to
repeated annoyances, but, after having endured these for four years,
during which time he was able to complete the fabric of St. Paul's, he
was finally superseded in 1718. Wren after this retired from practical
business (he was eighty-six years old), retaining only the supervision
of Westminster Abbey, which he held until his death.
Public-domain text, read in full here on John Shaqi.
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