The Brochure Series of Architectural Illustration, vol. 06, No. 12, December 1900: The Cathedrals of EnglandVarious
History
The Brochure Series of Architectural Illustration, vol. 06, No. 12, December 1900: The Cathedrals of England
Various
Architecture -- Periodicals
II. GOTHIC.
Early English or "Lancet," 1189-1300.
Decorated {Geometrical} 1300-1377.
{Flowing }
Perpendicular 1377-1547.
III. RENAISSANCE.
Including Elizabethan, Georgian,
Palladian, etc. 1547 _et seq._
The last thirty years or so of each period may be described as a time
of Transition from one style to the succeeding.
[Illustration: NORWICH CATHEDRAL FROM EAST]
In considering the English cathedrals the Saxon style may be
disregarded, as there are no important remains which date prior to
the coming of the Norman conquerors; and the only cathedral church of
prominence in the Renaissance style is St. Paul's in London.[1]
[Illustration: CANTERBURY CATHEDRAL THE CHOIR]
[Illustration: PLATE XCIII DURHAM CATHEDRAL FROM THE WEAR RIVER]
Litchfield Cathedral is sometimes styled the "Queen of English
minsters," and, though surpassed by other cathedrals in age, size,
grandeur of site and elaborate decoration, it has yet claim to the
title because of the symmetry, proportion and picturesqueness of its
general effect. It is built of red sandstone, and dates mainly from
the thirteenth to the fourteenth centuries. The earliest structure
on the present site was a Norman church dating from about 1100. The
oldest part of the existing building is the lower part of the west half
of the choir, erected about 1200. The transepts followed in 1220-40;
the nave dates from 1250, and the west front from about 1280, while
the Lady-Chapel belongs to the beginning of the fourteenth century.
The cathedral close was formerly surrounded by a wall and moat; and
in 1643 the cathedral was defended against the Puritans, who battered
down the central tower and demolished many of the carvings, monuments
and windows. It was, however, restored before the end of the century.
The most conspicuous external features are the three beautiful spires
and the fine west façade. This façade is one of the most graceful and
harmonious in England; and it has the advantage over such a front as
that of Peterborough in its organic connection with the rest of the
building. It is covered with niches for about one hundred statues,
almost all of which are now filled with modern carvings.
[Illustration: HEREFORD CATHEDRAL FROM NORTHEAST]
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