The Broken Font: A Story of the Civil War, Vol. 1 (of 2) — John Shaqi
The Broken Font: A Story of the Civil War, Vol. 1 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 1 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
THE BROKEN FONT.
A STORY OF THE CIVIL WAR.
BY THE AUTHOR OF “TALES OF THE WARS OF OUR TIMES,”
“RECOLLECTIONS OF THE PENINSULA,” &c. &c. &c.
IN TWO VOLUMES.
VOL. I.
LONDON:
PRINTED FOR
LONGMAN, REES, ORME, BROWN, GREEN, & LONGMAN,
PATERNOSTER-ROW.
1836.
LONDON:
Printed by A. SPOTTISWOODE,
New-Street-Square.
PREFACE.
It is impossible to read or meditate concerning that period of history
in which the scene and action of my tale are laid without partaking of
the feelings of both parties in that great quarrel, and “being (in an
innocent sense) on both sides.”
In such a spirit has my story been conceived and written. Until the
sword was drawn, the more generous and constitutional Royalists were
separated by but a faint line from the best and most patriotic men of
the Parliament party.
I have, however, confined myself more particularly to the
contemplation of those miseries and violent acts of persecution which
the appeal to arms brought upon many private families, and especially
upon those of the clergy.
In the contrivance of such a fiction, it became necessary to introduce
pictures of fanaticism and hypocrisy, and to describe scenes of
cruelty and of low interested persecution; but such parts of the story
must not be considered separately from the rest. The general tenor of
my volumes will, I trust, be found in strict consistency with that
charity that “thinketh no evil,” but “hopeth all things.”
THE BROKEN FONT.
CHAPTER I.
Thus till man end, his vanities goe round,
In credit here, and there discredited;
Striving to binde, and never to be bound;
To governe God, and not bee governed:
Which is the cause his life is thus confused,
In his corruption, by these arts abused.
LORD BROOKE.
It was the early afternoon of a fine open day in the last week of
April, in the year 1640. The sun shone warm; not a breath of wind was
stirring the tender foliage of the tall trees, or the delicate flower
of the lowly harebell beneath the hedge-rows. All was still, save that
at intervals the voice of the cuckoo was heard--loud, but yet
mellow--from the bosom of a neighbouring wood. The swains in the
field lay stretched in the shade, as though summer were already come:
in gardens and court-yards not a sound of labour or a clatter of life
disturbed the silence of the hour.
Public-domain text, read in full here on John Shaqi.
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