The Broken Font: A Story of the Civil War, Vol. 1 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 1 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
“I suppose that you will soon have a letter from Rome: no doubt
Martin is very happy among the galleries and studios of that
ancient city. I often wish that I could be transported there
for an hour, and see him, as he stands alone, before a
master-piece of Raphael, and sighs for the very fulness of his
admiration. Forget not to let me hear the earliest news of
Martin. I shall think of you all on May-day at old Blount’s;
but, as the good old country customs are kept up here with
great spirit, shall have no leisure to grieve over my absence
from Cheddar, till night restores me to the solitude of my
chamber, and to that sacred companionship with you in prayer,
which I ever maintain.
“Your dutiful and loving son,
“CUTHBERT NOBLE.
“_Milverton, April 20, 1640._”
CHAP. V.
Now winde they a recheat, the roused deer’s knell,
And through the forrest all the beasts are aw’d;
Alarm’d by Eccho, Nature’s sentinel,
Which shows that murd’rous man is come abroad.
_Gondibert._
Early in the morning of the day after that on which the rehearsal at
Milverton House was interrupted by the humiliating scene already
recorded, Cuthbert sallied forth, while the first rays of the level
sun were reflected back by glittering dewdrops; and brushing them with
swift steps from his path, crossed the foot-bridge near Guy’s mill,
and was soon lost to view in the woods upon the far side of the Avon.
The mill was already at work, but he lingered not to gaze upon the
rushing waters. His eye glanced at the glad scene, and his ear drank
in the living sound; but the prosy old miller was at his door, and his
daughter stood on the stepping stones below, watching the white
breasted ducks that played in the back current, therefore, with a
short “good morrow,” that waited for no reply, he passed onwards, for
he was bound on an errand of mercy. Although the old body, Margery,
had escaped the persecution of yesterday, there was good ground for
fearing that it would be soon and more cruelly repeated, if she
continued to dwell in her lonely and exposed hovel; and Cuthbert had
found a poor bricklayer from Coventry, who was then employed in
repairing the roof of an outhouse at Milverton, and who had witnessed
the scene of the day before with a true Christian feeling, quite
willing to give the old woman a lodging in the small house in the mean
alley in which he dwelt, for such consideration as Cuthbert was
willing to pay. With this proposal of shelter and security he sought
the wood, in the bosom of which, beneath a sand-stone rock, in a
forsaken pit, was poor Margery’s desolate abode. From the rude clay
chimney, in the blackened thatch, curled a blue wreath of smoke: he
leaned against the rock above, and called to Margery, but there was
no reply. He went down and entered the hut. Upon a low stretcher on a
Public-domain text, read in full here on John Shaqi.
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