The Broken Font: A Story of the Civil War, Vol. 1 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 1 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
vision of the night they passed, and from beyond a swell of ground in
front a winding horn sent forth the well known mort. Cuthbert,
naturally excited, ran to a knoll before him, which might command the
country beyond. On the side of an open slope, at some considerable
distance, he saw the last act of the death. The lifted knife, all red
and reeking, was in the hand of a stranger of noble presence, by whose
side stood Sir Charles Lambert. The lordly game lay stretched upon the
ground, and near, with lolling tongues and panting sides, the hounds
lay gasping as for life. The riders were all dismounted, and their
horses, with drooping heads and their hind quarters sunk and
contracted, stood stiff and motionless beside them. By the loud and
exulting voices of the sportsmen you might know that the run had been
severe; two or three lagging horsemen were seen coming up in their
track; and by a cross path, just above the spot where the stag was
killed, two foresters on foot burst down at the top of their speed,
and joined the group that now more closely surrounded the noble game.
The sound had brought out all the household at Milverton, from whence
the slope was plainly to be seen. The boy Arthur, with some of the
serving-men, ran down the pathway towards Guy’s mill, while Cuthbert
could discern Sir Oliver standing out on the terrace, and Mistress
Katharine by his side, with a loose white kerchief thrown over her
head, to keep off the rays of the sun, which were already powerful.
The hunters now sounded the relief, and waved their caps towards
Milverton; intimating, by that note and action, that they would claim
the hospitality of the mansion; and then, leading their tired horses
by the bridle, they proceeded thither by the mill. Cuthbert, unseen
himself, watched all their motions; and when they had disappeared
within the gates of Milverton, and all below and around him was again
still, he turned, with a dead and jaded interest, towards the
sand-pit. Upon the edge of it, near the rock, he saw the bent figure
of Margery, as if in the act of listening; and as she raised her head,
and observed him walking to the spot, she hastily disappeared below.
He stepped quickly after her; but the door was already barred; and
when he knocked and called to her, the hoarse croak of the raven was
the sole reply. He rapped more loudly,--still the same voice of ill
omen replied; but as he persisted, and said words to re-assure her,
the door was slowly opened, and the withered tenant of the pit
appeared.
“Is it you, young master?” said Margery; “and are you alone, and is
there no hunter with you?”
“There is no one with me,” he replied: “the hunters have gone over the
river.”
Public-domain text, read in full here on John Shaqi.
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