The Broken Font: A Story of the Civil War, Vol. 1 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 1 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
At this the old woman gave a shriek of passion, fitful as that of a
thwarted child, and then, suddenly overcome by fear, fell upon her
aged knees, and lifted and joined her withered hands, and implored
Cuthbert, with wild earnestness, never to have her moved.
“Look you, young master, winter and summer, here I have watched and
waked these many years. It’s a small matter of meal that makes my
porridge;--some give it for pity, and some give it for fear. There’s
no lack of rotten sticks to keep me warm: yonder spring is never dry;
and it’s free I am to go and to come, and nothing here to flout or to
fret me: the deer and the kine take no count of me--the pretty
creatures don’t fear me; and it’s not all the world calling me witch
that will make them. That place is best we think best. Oh, for the
love of God, master, let me alone--let me rot where I am.”
Cuthbert’s mind was in an agony of prayer; but his tongue clave to the
roof of his mouth. He would have said much; but he could speak
nothing. He gave her alms; and telling her that he would do nothing
against her will--nothing to make her unhappy, but that he would come
and see her again--he raised her from her knees, and went upon his way
homewards.
“My father would not thus have left her,” was his first thought. “He
would have found some way to break into her heart. Strange
world--strange thing this human life! This old solitary miserable has
been wrapped in swaddling clothes, even as others--has been suckled at
a human breast--has grasped, with tiny hand, a father’s finger--and
been kissed, and muched; and now, she has survived all kindred--lost
all defence of strength or money--hath none of wisdom, and because her
back is crooked, and nose and chin have come well nigh together, she
has been hunted from her kind, and dwells apart. As God is love,--and
that he is I cannot doubt and live,--this is a mystery! It’s a skein
so much entangled that my poor wit can not unwind it.”
Muttering to himself these wayward fancies, he hurried back to
Milverton as to his heart’s home. There he could see sunlight upon the
earth, and feel warm in the comfort of it. Nor in his then mood was he
sorry that the guest chambers would be full: he wished a day of
cheerful cups, and pleasant voices, and music. Thus absorbed, he
reached the mill, and passed it as swiftly as in the morning.
“There he goes,” said the old miller, speaking to his daughter, who
was spreading out some linen to bleach--“There he goes, as shy as a
hare, and as fast as if he were making for his form. I never gets a
bit of chat with him. He’s not much for company.”
“Why, father,” replied the girl, coming upon the pathway, “he’s a
scholar, you know, and that’s the fashion of them, you know.”
“Well, it’s a bad fashion to go poking about the woods as lonesome as
a stray mule; no good comes of those crazy fashions. I like an open
face, and an open hand, and a free tongue.”
Public-domain text, read in full here on John Shaqi.
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