The Broken Font: A Story of the Civil War, Vol. 2 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 2 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
The sound of the pipe and tabor, and the nasal tones of Master
Merriman, soon gathered all the idle folk in the fair round the
mountebank’s scaffold. The fool began with their favourite egg-dance;
and they stood with gaping mouths to see him hop about on one leg, and
then, being blindfolded, dance backwards and forwards between the eggs
without touching one of them: their mouths gaped yet wider, as this
performer was succeeded by the fire-eater, who, after commencing by
the trick of drawing forth from his mouth yard after yard of ribands,
as if his stomach had been a riband loom, put a bundle of lighted
matches into his mouth, and blew the smoke of the sulphur through his
nostrils. Last came the posture-master, whose art consisted in making
all sorts of uncouth faces, and exhibiting in a natural but shocking
manner every species of deformity and dislocation. Now he showed a
huge rising of his left shoulder; now shifted the deformity into the
other; now represented a humpback; accompanying these changes of his
figure with sundry comical contortions of countenance, to which the
crowd responded in roars of laughter. Having thus got them into good
humour for his purpose, he went on to imitate the cries and voices of
sundry animals and birds; the crow of the cock, the gabble of the
geese, the gobble of the turkey, the quaak of the duck, the squeak of
the sucking pig, the bleat of the lamb, the grunt of the old sow, and
the braying of the ass. The crowd was on the broad grin while he went
through these imitations. He now therefore disappeared for a minute,
leaving the merriman to amuse them, by way of interlude, with a
jocular dance, and returned in robes made of coarse materials to
imitate those of a bishop. His figure was stuffed out to Falstaff-like
proportions; his hands were crossed with due gravity; he had plumpers
in his cheeks; and he forthwith began to intone an anthem with
burlesque solemnity. The words were in mockery of the coronation
anthem; and the petition for the growth of the King’s beard, and the
shaving thereof, was delivered in all those varieties of note which he
had before given when mimicking the animals of the farm-yard. He thus
excited the mirth of the rabble vastly. He closed this mischievous
performance by a comic song about tithes; and, after imitating the
squeak of a sucking pig, and the clack of a hen, he produced upon the
stage, by sleight of hand, as if from his paunch, a basket filled with
curious samples of the small tithe, in which the tenth egg was not
forgotten. His place was now taken by the mountebank, who professed to
be appointed grand physician to the state, and purifier of the church.
The fool stood by his side making all the uncouth faces which he could
think of, taken, it must be confessed, most chiefly from the sour
_kill-joys_ of the time; and holding a large bundle of printed papers,
each headed by a wood-cut, he distributed them down among the people
Public-domain text, read in full here on John Shaqi.
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