The Broken Font: A Story of the Civil War, Vol. 2 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 2 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
During his residence in Italy, to relieve the sedentary labours of the
_studio_, he had always used horse exercise, fencing, and the play of
the broad sword, and having a vigorous and comely person and a quick
eye, had great skill in all these exercises. He little thought in
those days that he must exchange the wonderful art to which his genius
was wedded for that of war; the peaceful _studio_ and the open
landscape for the noisy camp and the cloudy battle-field.
He effected his departure from Bristol, and his journey to the
headquarters of the Marquis of Hertford and Prince Maurice, who were
then coming westward, with considerable address. By a few pieces well
bestowed he obtained passports as a foreign artist for London; and,
lading a sumpter-horse with two packages in which his great saddle and
his arms were well concealed, he rode his trained horse in such
furniture and clothing, and with such a bridle, as disguised its
quality. Moreover, by avoiding the large towns, and travelling
circuitous ways, through many of those lovely coombes or valleys with
which the western counties abound, he exposed himself to as little
observation as was possible. He slept in lonely places under a tree,
and he snatched his refreshment through the day at farm-houses or
little rustic inns. There was a consciousness in his bosom, that of
this brief and precious season of his life the most was to be made.
The weaning was at hand: the trials and the solemn chances of warfare
lay before him in all their stern reality. The glorious arts were left
behind as childish things; and he was passing through those scenes of
nature in which the love of heaven is plainly mirrored. He loved the
beautiful; in all things loved it: but, alone in the far windings of a
sheltered vale, where trees and grass and waters blend their beauties;
where cattle lie down, and the white lamb gambols,--with tears of
thanksgiving he worshipped. Nor less in the still secluded forest,
where rivulets make gentle music, he worshipped. Such spots are
sacred: they are not solitudes; they are peopled, most thickly
peopled, with innocent spirits, whom we cannot see; but we feel their
presence, and tread softly in their quiet paradise. It was the last
leisure of Martin’s life, and the sweet scenes coloured his mind for
ever; and afterwards, in coarse companies, and in the tumultuous camp,
his memory would steal away back to those vales of peace, as to some
hallowed visions, and lie awhile entranced, till laughter loud, or
cannon’s voice, did wake him. It was on this journey that he for the
last time exercised the art he loved.
Public-domain text, read in full here on John Shaqi.
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