The Broken Font: A Story of the Civil War, Vol. 2 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 2 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
In a deep still valley, with wooded hills on either side, and a small
clear river that flowed between them, he stopped at noon before a
solitary farm. The goodwife made him welcome. In her little hall she
spread his clean repast, and there, in the window, sat her daughter
with a child in her arms. It were easy to see she was its mother. If
ever face was sweet and comely,--if ever eyes were calm, and brow was
open,--if ever human forehead looked meet for the seal of Heaven, hers
did, as it shone fair and pure beneath her dark and parted hair. The
child, too, was of curly and surpassing beauty, and stretched its
little arms with smiles. The obeisance of this young mother was
modest,--but her blush was faint, and innocence itself. A sampler
framed in oak hung upon the wall. Martin asked if it was her work, and
she said “Yes--the prize sampler worked in her ninth year,”--and took
it down; and, in fine needle-work, he read the following lines:--
“Even as a nurse, whose child’s imperfect pace
Can hardly lead his foot from place to place,
Leaves her fond kissing, sets him down to go,
Nor does uphold him for a step or two;
But, when she finds that he begins to fall,
She holds him up and kisses him withal.
So God from man sometimes withdraws his hand
Awhile, to teach his infant faith to stand;
But when he sees his feeble strength begin
To fail, he gently takes him up again.”
QUARLES.
He put it down, subdued to a sudden tenderness, and then asked the
name of her child; she said it was christened “Charles,” and then
caressed it more closely, and sighed; adding, “It’s a good name, but
it has brought me my first sorrow, for it’s with King Charles my
husband is; and they that go to the wars may never come back again.”
She resumed her seat in the window; and, putting down the child, who
could run stoutly about after his grandmother, she began to ply her
needle in silence. Here, as her head was naturally bent downwards,
Martin sketched a happy resemblance of her on his tablets, while she,
unconscious, sat thinking of her fond husband far away, and daily
exposed to wounds or death. Martin rode away from this dwelling; and,
and at some distance, looking back, through a summer shower he saw it
arched over by a glorious rainbow, and asked a blessing on that fair
young mother from the God of hope.
Public-domain text, read in full here on John Shaqi.
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