Nero never planned the destruction of Rome, nor Titus the destruction of
Jerusalem with a more implacable spirit then did the regulator the
destruction of the upper abutment of the wooden bridge on the Ingleside
plantation. As the bold man stood upon the bridge contemplating the work
to be done, and then upon the cold full orbed moon bathing its face in
light, cumulus clouds, and then on the cold waters, he said to himself;
"A soldier boy that can climb the elements in the Crater fight and butt
his head agin the stars, aint pestered by little diffikilties when it
comes to drownin niggers."
He threw off his coat, took up the crowbar and went to work. The apron
was then propped up upon skids too weak to bear the weight of a
carriage, but so skillfully as to ward off suspicion in case the
structure or any part of it should fall. At 7:30 sharp the work was done
and completely done, the pitfall was laid, and well laid, and at 7:40 a
black cavalcade, noisy and ruffianly, were galloping on the way to take
by force actual possession of Ingleside, against the emphatic protest of
its owner and against the law of the land. They were marching with their
trombones and their flags, flags striped and starred, just like the one
that laughed in the faces of the starved negroes that marched in
platoons, desperately hungry, out of the back doors of the Commissariat.
Just like the one ruffian Laflin wrapped about his beastly person when
he said to poor oppressed Seymour, "My freedmen may make reprisals
whenever they please in this accursed country." Just like the flag that
waved from the stern sheets of the batteau, that cold sleety night, when
Washington was cutting the ice out of his way upon the Delaware. Just
like the "Old Glory" that Ethan Allen wound around his head at
Ticonderoga. Just like the flag that thrilled every heart, that Philip
Barton Key immortalized in the first battle hymn of the Republic.
"Tis the Star Spangled Banner long may it wave,
Over the land of the free and the home of the brave."
Public-domain text, read in full here on John Shaqi.
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