The superficial austerity of a mature spinster should be treated with
indulgence. Blighted love leaves a blight on the temperament of some
women, whom a malignant fate has doomed to a solitude for which, by
nature, at the outset, they were not intended. The history or
life-story of Miss Hope does not concern this narrative further than
this--that all the pent-up and hidden charm of a once passionate nature
extended itself to this lady in great distress. Although the privacy of
the boudoir should screen from public ear and gaze much of the tragedy
of bereavement, who shall say that the sympathetic record of such a
beautiful scene of human emotion is not justified?
Through her sobs Lady Remington spoke in a low, sweet voice. "Leave me,
now, Miss Hope. You have been very kind. Thank you so much. You
cannot do any more for me! I must fight this grief alone."
There was no angularity of movement, no austerity of countenance now in
Miss Hope. Her very voice assumed a softness that would have seemed
strange to those who were only familiar with the mental mask she had so
long worn in public. She started towards the door, and held it half
open. Then, closing it again with swift, graceful movements, she
crossed the room and knelt at the lounge on which Lady Remington
reclined amidst soft rich cushions of eiderdown. She wept no more; nor
had tears left her face stained. Instead, a radiance suffused her
cheeks, and her eyes glistened, betraying a beauty that had long been
hidden by the set expression of that mask, assumed at first, habitual by
long use.
"Lady Remington! Oh, Lady Remington! let me speak--let me tell you! I,
too, have suffered. Don't stop me. Let me tell you a story to the end.
It may help you."
Then commenced a life-story, told musically, almost rhythmically, of
love, deceit, treachery, ending in a debacle that soured a beautiful
disposition of a lovely girl. Miss Hope did not imply that she had been
a lovely girl, but her radiant face, with the deep grey eyes, that for
the first time during many years disclosed their full size and the
limpid look of sincerity, made it evident to the stricken widow.
Abruptly she finished the story, and, rising from her knees, she started
across the room again. She had proceeded a bare pace or two when Lady
Remington, with a vigour, surprising for her years, almost leapt from
the lounge, and, throwing her arms around Miss Hope's neck, exclaimed
"Gladys! Gladys Hope! you have taught me a lesson in bravery that I
will never forget. You are no longer Miss Hope. You are, if you will
let me, Gladys, a dear, dear friend to me. As long as I am spared I
will endeavour to be more than a friend to you!"
They embraced again and again, until the arrival of the maid with tea
afforded the opportunity of a closing scene that had been tense and
affecting to both women.
Public-domain text, read in full here on John Shaqi.
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