The Brontë Family, with special reference to Patrick Branwell Brontë. Vol. 2 of 2Leyland, Francis A.
History
The Brontë Family, with special reference to Patrick Branwell Brontë. Vol. 2 of 2
Leyland, Francis A.
Authors, English -- 19th century -- Biography; Brontë family; Brontë, Patrick Branwell, 1817-1848
Thus their stay in Brussels was suddenly cut short, and their studies
were interrupted; but they had learned a good deal during their stay
there. Monsieur Héger wrote to console Mr. Brontë on his loss; and
said that in another year the two girls would have been secured
against the eventualities of the future. They were being instructed,
and, at the same time, were acquiring the art of instruction: Emily
was learning the piano, and receiving lessons from the best Belgian
professors; and she had little pupils herself. 'Elle perdait donc à la
fois un reste d'ignorance et un reste plus gênant encore de timidité.'
Charlotte was beginning to give French lessons, and to gain 'cette
assurance, cet aplomb si nécessaire dans l'enseignement.' It was this
kind letter from Monsieur Héger that afterwards induced Mr. Brontë to
allow Charlotte to return to Brussels.
CHAPTER II.
OTHER POEMS.
Branwell at the Parsonage: his Loneliness--'The Epicurean's
Song'--'Song'--Northangerland--'Noah's Warning over Methusaleh's
Grave'--Letter to Mr. Grundy--Miss Branwell's Death--Her Will--Her
Nephew Remembered--Injustice done to Him in this Matter by the
Biographers of his Sisters.
During the absence of his sisters Charlotte and Emily in Brussels, and
while Anne was away as a governess, Branwell no doubt felt lonely at
the parsonage at Haworth; but he appears to have sought consolation
from his troubles in the soothing influences of music and poetry. He
knew that these employments softened many of the difficulties that
beset the road of human life, and that they introduced men into a
purer and nobler sphere than that which is called reality. He felt
that they led 'the spirit on, in an ecstasy of admiration, of sweet
sorrow, or of unearthly joy, to the music of harmonious, and not
wholly intelligible words, raising in the mind beauteous and
transcendent images.' Whatever may have been said as to Branwell's
proneness to self-indulgence, and his enjoyment of society, even that
of 'The Bull,' and of the corrupt of Haworth, none of his alleged
depravity and coarseness of disposition disfigured his verses, however
deficient his early effusions may have been in the higher excellencies
of the Muse. From the general tenor of his writings, which is
religious and sometimes philosophical, he seems, under his
misfortunes, which were ever with him in one shape or another, to have
sought consolation in the shadowed paths of poetry and reflection.
Some lights now and then diversify the general gloom of his stanzas;
but, even then, an air of sadness still pervades them. More I shall
find to say on the special features of Branwell's poems in the later
pages of the present work.
He wrote the following verses in 1842:
THE EPICUREAN'S SONG.
'The visits of Sorrow
Say, why should we mourn?
Since the sun of to-morrow
May shine on its urn;
And all that we think such pain
Will have departed,--then
Bear for a moment what cannot return;
Public-domain text, read in full here on John Shaqi.
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