The Brooklyn murdersCole, G. D. H. (George Douglas Howard)
General
The Brooklyn murders
Cole, G. D. H. (George Douglas Howard)
Detective and mystery stories; Murder -- Investigation -- Fiction; Police -- Great Britain -- Fiction
Filled as she was with horror at the second tragedy of the morning,
Joan did not lose her presence of mind. She staggered, indeed, and had
to cling for a minute to the nearest of the old statues—the Hercules
whose points John Prinsep had showed off to his guests only the night
before. The tears which she had been keeping back burst from her now,
and the weeping did her good. She regained her composure and realised
that her first duty was to summon help. Slowly and unsteadily she
walked towards the house. At the door leading to the garden she met
one of the policemen who was helping the sergeant in his examination
of the house. She tried to speak, but she could only utter one word,
“Come,” and lead the way back to the horror that lay there in the
garden.
The policeman followed her. But as soon as they came in view of the
temple and he saw what she had seen already, he ceased to advance.
“One moment, miss,” he said, “I must fetch the sergeant,” and he
started back to the house in search of his superior.
Joan stood stock still, only swaying a little, until the policeman
came back with the sergeant. Then she watched the two men go up to the
body, turn it over slightly to see the face, and then let it fall
back.
“Begging pardon, miss,” said the sergeant, turning to her, “but maybe
you know who this gentleman is?”
With a violent effort Joan managed to answer, “George—my cousin—Mr.
George Brooklyn,” she said; and then, overcome by the strain, she
fainted.
The sergeant was a chivalrous man, and he instantly left off his
examination of the spot and came to Joan’s help. Propping up her head
he fanned her rather awkwardly. As he did so, he shouted to the
policeman. “Don’t stand there, you fool, looking like a stuck pig. Go
and get some water for the lady.”
The constable set off at a run, lumbering heavily over the grass. “And
tell the inspector what’s toward,” shouted the sergeant after him. It
was this shout that the inspector heard, and that made him throw up
the study window and receive at once the constable’s message.
By the time Inspector Blaikie reached the garden, the constable had
returned with a glass of water, and Joan had recovered consciousness.
She was sitting on the grass, her back propped against the pedestal of
the statue, and the sergeant was trying to persuade her to go indoors.
The inspector, after a hasty glance at the scene, added his
entreaties; but Joan refused to go.
“No, I must see this through,” she said, as to herself. “I’m all right
now,” she added, trying to smile at the police officer. “Let me alone,
please.” After a time they left her to herself and pursued their
investigation of the crime.
Public-domain text, read in full here on John Shaqi.
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