The Brooklyn murdersCole, G. D. H. (George Douglas Howard)
General
The Brooklyn murders
Cole, G. D. H. (George Douglas Howard)
Detective and mystery stories; Murder -- Investigation -- Fiction; Police -- Great Britain -- Fiction
There, in the great Board Room of the Corporation, they offered, one
by one, their congratulations to the old man. An enemy had once said
of Sir Vernon Brooklyn that he was the finest stage gentleman in
Europe—both on and off the stage. The saying was unjust, but there was
enough of truth in it to sting. Sir Vernon was a little apt to act off
the stage; and the habit had perhaps grown on him since his
retirement. To-night, with his fine silver hair and keen, well-cut
features, he was very much the gentleman, dispensing noble hospitality
with just too marked a sense of its magnificence. But it was Sir
Vernon’s day, and his guests were there to do his will, to draw him
out into reminiscence, to enhance his sense of having made the most of
life’s chances, and of being sure to leave behind him those who would
carry on the great tradition. The talk turned to the building of the
Piccadilly Theatre. The old man told them how, from the first days of
his success, he had made up his mind to build himself the finest
theatre in London. From the first he had his eye on the site of
Liskeard House; and it had taken him twenty years to persuade the
Liskeards, impoverished as they were, to sell it for such a purpose.
At last he had secured the site, and then again his foresight had been
rewarded. Not for nothing had he paid for George Brooklyn’s training
as an architect, based on the lad’s own bent, and given him the
opportunity to study playhouse architecture in every quarter of the
globe. The Piccadilly Theatre was not only George Brooklyn’s
masterpiece: it was, structurally, acoustically, visually, for
comfort, in short in every way, the finest theatre in the world. It
was also the best paying theatre. And, the old man said, if in his day
he had been the finest actor, so was George’s wife still the finest
actress, if only she would not waste on domesticity the gift that was
meant for mankind. For Mrs. George Brooklyn, as Isabelle Raven, had
been the star of the Piccadilly Theatre until she had married its
designer and quitted the stage, sorely against Sir Vernon’s will.
Sir Vernon was in his best form; and the talk, led by him, was rapid
and, at times, brilliant. But there was at least one of those present
to whom it made no appeal; for Joan Cowper was painfully anxious as to
the result of Lucas’s interview with Sir Vernon. Several times she
caught his eye; but, although he smiled at her down the table, his
look brought her no reassurance. At last, when the servants had
withdrawn after the last course, Joan rose, purposing to lead the
ladies to the drawing-room. But Sir Vernon waved her back to her seat,
saying that, before they left the table, there was something which he
wanted them all to hear. Clearly there was nothing for it but to wait;
but Joan made up her mind that, if Sir Vernon spoke of her publicly as
engaged to Prinsep, not even the spoiling of his birthday party should
stop her from speaking her mind.
Chapter II
Sir Vernon’s Will
Public-domain text, read in full here on John Shaqi.
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