A visit which surprised Godefroid greatly was that of the Comtesse de
Cinq-Cygne, one of the highest personages in aristocratic society, whose
salon was inaccessible to the bourgeoisie and to parvenus. The presence
of this great lady in Madame de la Chanterie’s salon was sufficiently
surprising; but the manner in which the two women met and treated
each other seemed to Godefroid inexplicable; for it showed the closest
intimacy and a constant intercourse which gave Madame de la Chanterie
an added value in his eyes. Madame de Cinq-Cygne was gracious and
affectionate in manner to the four friends of her friend, and showed the
utmost respect to Monsieur Nicolas.
We may see here how social vanities still governed Godefroid; for up to
this visit of Madame de Cinq-Cygne he was still undecided; but he now
resolved to give himself up, with or without conviction, to whatever
Madame de la Chanterie and her friends might exact of him, in order
to get affiliated with their order and initiated into their secrets,
assuring himself that in that way he should find a career.
The next day he went to a book-keeper whom Madame de la Chanterie
recommended, and arranged with him the hours at which they should work
together. His whole time was now employed. The Abbe de Veze instructed
him in the mornings; he was two hours a day with the book-keeper; and
he spent the rest of his time between breakfast and dinner in doing
imaginary commercial accounts which his master required him to write at
home.
Some time passed thus, during which Godefroid felt the charm of a life
in which each hour has its own employment. The recurrence of a settled
work at settled moments, regularity of action, is the secret of many a
happy life; and it proves how deeply the founders of religious orders
had meditated on the nature of man. Godefroid, who had made up his
mind to listen to the Abbe de Veze, began to have serious thoughts of
a future life, and to find how little he knew of the real gravity of
religious questions.
Public-domain text, read in full here on John Shaqi.
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