Many of the women in the crowd were moved to tears of ecstasy by the effect of the moment: some strove to kiss the hem of his garment, others cried out in sing-song voices. He blessed them all and talked with some of them. The “possessed” woman he knew already. She came from a village only six versts from the monastery, and had been brought to him before. “But here is one from afar.” He pointed to a woman by no means old but very thin and wasted, with a face not merely sunburnt but almost blackened by exposure. She was kneeling and gazing with a fixed stare at the elder; there was something almost frenzied in her eyes. “From afar off, Father, from afar off! From two hundred miles from here. From afar off, Father, from afar off!” the woman began in a sing-song voice as though she were chanting a dirge, swaying her head from side to side with her cheek resting in her hand. There is silent and long-suffering sorrow to be met with among the peasantry. It withdraws into itself and is still. But there is a grief that breaks out, and from that minute it bursts into tears and finds vent in wailing. This is particularly common with women. But it is no lighter a grief than the silent. Lamentations comfort only by lacerating the heart still more. Such grief does not desire consolation. It feeds on the sense of its hopelessness. Lamentations spring only from the constant craving to reopen the wound. “You are of the tradesman class?” said Father Zossima, looking curiously at her. “Townfolk we are, Father, townfolk. Yet we are peasants though we live in the town. I have come to see you, O Father! We heard of you, Father, we heard of you. I have buried my little son, and I have come on a pilgrimage. I have been in three monasteries, but they told me, ‘Go, Nastasya, go to them’—that is to you. I have come; I was yesterday at the service, and to-day I have come to you.” “What are you weeping for?”