The brothers Van EyckKonody, Paul G. (Paul George)
History
The brothers Van Eyck
Konody, Paul G. (Paul George)
Eyck, Hubert van, 1366-1426; Eyck, Jan van, 1390-1440
In trying to solve the difficult question which part of the extant
_oeuvre_ is Hubert's and which is Jan's, our knowledge of Jan's
journeys to the South assumes considerable importance. For Hubert's
travels we lack proof--they are mere conjecture. But there is
documentary evidence of Jan's journey to Portugal in 1428, in
addition to which Mr. Weale has, I understand, recently unearthed
some further documents which establish another and earlier journey of
Jan to Spain. On these travels Jan must have become well acquainted
with certain plants peculiar to the South, and especially the dwarf
palm or palmetto, which is confined almost exclusively to Spain and
Portugal. It is therefore not unreasonable to assign to him those
{33} portions of the disputed pictures in which this palmetto
appears. Some authorities hold that Jan did not have any independent
artistic career before Hubert's death, and that in the division of
labour Hubert's share was, as a rule, the general design and the
painting of the figures, whilst Jan filled in the landscape and
architectural backgrounds.
The collaboration theory has been advanced by Mr. A. Marks, whose
knowledge of Flemish art is profound, and whose deductions are as
conscientious as they are convincing. To him we are indebted for an
interesting paper upon the subject, which is at once exhaustive and
reasonable. To retail all that Mr. Marks advances in support of his
theory would be to reprint his treatise _in toto_; but though it is
impossible here to follow all his arguments, it is equally impossible
to avoid reference to the valuable correspondence between him and Mr.
James Weale in the _Athenæum_, between November, 1902, and April,
1903. This correspondence arose from an article by Mr. A. Marks in
the _Athenæum_ in May, 1900, in which attention is drawn to the
presence of the palmetto in the picture of _St. Francis receiving the
Stigmata_ (now in possession of {34} Mr. J. G. Johnson, Pennsylvania;
a copy in Turin), which picture had been formerly variously ascribed
to Henri met de Bles, Joachim Patinier, and Mostaert. Mr. Marks has
since supplemented and explained his views in the essay mentioned;
whilst Miss Frances Weale has published an excellent study on the
"van Eycks," which, in a concise and interesting form, presents her
father's views on the subject.
Public-domain text, read in full here on John Shaqi.
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