Though the limitations of the present little volume make it impossible to reproduce the other panels which originally formed part of the colossal altar-piece, it will not be out of place here to describe them in detail, as they all form part of a wonderfully complete and harmonious scheme. As pendants to the _Judges_ and _Warriors_, to the right of the central panel were the _Holy Hermits_ and the _Holy Pilgrims_. Rocks, cliff, and foliage are found in the background of the hermits, but, as suggestive of retirement and remoteness, no architecture is seen. The pilgrims are represented walking up a valley towards the spectator. On the right, in the background, is a hill covered with various trees, and in the distance is seen a river and meadows, with a town and low hills beyond. The pilgrims are led by St. Christopher, {51} whose giant proportions tower above the rest of the procession. The upper tier of the polyptych consists of seven panels, or rather three panels, the combined width of which corresponds with that of the _Adoration_ panel below, and two shutters on each side. The grand figure in the centre panel, majestically enthroned, has been variously held to represent God the Father and Christ, and the Latin inscription may be equally applied to both. Perhaps it was the painter's idea to personify both in one figure. On His brow is the Crown of Heaven, and at His feet the Crown of Purity and Innocence, which the Lamb has won on earth. The panel to His right shows the Virgin, gazing in devotion at an open book in her hands--a conception of such purity and innocence that it recalls the spirit of Fra Angelico. To his left is the equally nobly conceived figure of St. John, an open book in his lap, with his right hand raised, as it were, in exhortation. The monumental style of these figures, and their deep significance, leave no doubt that these panels are from the brush of the elder brother Hubert.