The brothers Van EyckKonody, Paul G. (Paul George)
History
The brothers Van Eyck
Konody, Paul G. (Paul George)
Eyck, Hubert van, 1366-1426; Eyck, Jan van, 1390-1440
The date of Jan van Eyck's birth is as uncertain as that of his
brother's. Tradition has it that the two brothers are portrayed on
the panel of the great Ghent altar-piece, which represents _The Just
Judges_. These portraits suggest a difference of about twenty years
between the two, so that the birth of Jan would have to be placed
somewhere between 1386 and 1390. Hubert being thus about twenty
years his senior, it is natural to suppose that Jan received from him
his early education in matters of art. Guicciardini, van Mander, and
other early writers, affirm that the two brothers worked in
collaboration, and there is no reason to doubt that Jan in his early
years assisted his brother in many or most of his paintings--perhaps
even in the Ghent altar-piece, which he finished after the elder
brother's death. It is certainly a curious fact that, with a single
exception--the completely over-painted _Enthronement of St. Thomas of
Canterbury_ at {15} Chatsworth--all the signed pictures by Jan bear
dates posterior to the death of Hubert. And it is equally
significant that the first of this series of ten signed pictures is
dated 1432, the year of the completion of the Ghent altar-piece,
which was the last work in which both brothers had a share.
[Illustration: THE ENTHRONEMENT OF THOMAS À BECKET, BY JAN VAN EYCK.]
The chief events in the life of Jan van Eyck can be gathered fairly
accurately from contemporary records and documents. In 1422 Jan
entered the service of John of Bavaria, at that time Duke of
Luxembourg, whose household accounts show the payment of a weekly
wage to the artist, from October 25, 1422, till September, 1424, for
the decoration of the palace at the Hague. M. Bouchot mentioned an
earlier record of Jan's doings, when he believed he discovered him at
Cambrai decorating a Paschal candle. But the eminent French critic
probably confused Jan van Eyck with one Jan de Yeke, whose name
occurs in the accounts of the Cathedral of Cambrai as that of a man
employed in 1422 and many following years in painting crosses,
clocks, and candles on the outer wall of the cathedral to deter the
passers-by from committing nuisances!
Public-domain text, read in full here on John Shaqi.
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