The Buddha: A Drama in Five Acts and Four InterludesCarus, Paul
Religion
The Buddha: A Drama in Five Acts and Four Interludes
Carus, Paul
Buddhism -- Drama; Gautama Buddha
_V._ Oh! What a chance for me! Siddhattha will flee, if he be not
prevented; he will be disinherited. Rahula is a babe, and it will take
twenty years before he grows up to manhood.--[_He muses._] I may
proceed on different lines, and one of them must certainly lead to
success. I may marry the Princess and become the stepfather of the
heir apparent, his guardian, the man who has him in his power--Hm! Hm!
I need not plan too far ahead. And if that plan did not work, the King
of Magadha would make me raja of the Sakyas, if I would recognize him
as my liege.
_The full moon rises and the scene becomes gradually
brighter. VISAKHA knocks at the gate._
Who is on guard?
_Officer comes out._
_D._ I am, my Lord, 'tis Captain Devala.
_V._ 'Tis well. King Suddhodana requests you to double your guard
to-night, for he has reasons. Further he wants you to remove the
corpse of Udayin, the gardener who died to-day of an infectious
disease. Be on your guard, for where a dead body lies there are
ghosts--and [_in a half whisper_] when you see demons or gods, keep
yourselves, you and your men, locked up in the guard house, and the
spook will pass without harm.
_D._ Your order shall be punctiliously obeyed.
_Pays his military salute and returns to the guard house._
_V._ That settles the guard, and should Siddhattha flee he will find
no obstacle.
_Two men come out of the guard house and enter the palace
with a bier. KALA UDAYIN comes back from the garden. VISAKHA
retires into the background._
_K._ The nightingale is a sweet bird, but I like the lark better. The
nightingale is more artistic, but his song is melancholy, he is so
sentimental! The lark has a mere twitter like my own song, I like the
lark better. How beautiful is this summer night; How glorious is the
moon; how fragrant are the roses in the garden! It is a most
auspicious night, and all breathes happiness.
_VISAKHA from his hiding place watches KALA._
_V._ He comes in time, his presence will prosper my plans.
[Kala is lost in thought. Music, from Beethoven's Seventh Symphony,
somber and as if coming from a distance, is heard.]
_K._ [_while the music plays_] What a strange presentiment is stealing
over my soul. Perhaps I was too happy! What does Siddhattha say?
"All conformations always are transient,[A]
Harrassed by sorrow, lacking a self."
[Footnote A: The quoted lines run in the same rhythm as the melody and
should be pronounced accordingly. See _Buddhist Hymns_, p. 22.]
_The men come with the corpse on the bier. KALA stops them._
_K._ What do you carry? Who is this? [_he shrieks_] My father! [_The
carriers set the corpse down and Kala sinks down by the bier._] Oh, my
father! my dearest father! How did you die? Why did you leave me? Oh,
my father! [_he sobs_].
_The moon sinks behind a cloud._
_SIDDHATTHA comes._
_B._ What may the trouble be? I heard a shriek.
_KALA raises himself half way up. The scene is bright again._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account