The Buddha: A Drama in Five Acts and Four Interludes — John Shaqi
The Buddha: A Drama in Five Acts and Four InterludesCarus, Paul
Religion
The Buddha: A Drama in Five Acts and Four Interludes
Carus, Paul
Buddhism -- Drama; Gautama Buddha
_G._ I have no time. [_Exit._]
_K._ I knew she would come around,--and she is much prettier than
Nanda. Nanda is a buxom country lass, a pleasant girl, but Gopa is as
proper as a princess. [_He continues with unction._] Bodhisatta longs
for the blessed state of Nirvana, and when he has found it, he will be
calm and without passion. He will walk on earth as a god among men. No
emotion will disturb the peace of his mind, and the happiness of the
great Brahma will be as nothing in comparison to the infinite bliss of
his Buddhahood. [_With a lighter tone_]: I adore him, but I do not
envy him. I do not long for the happiness of a god. I am a man with
human faults and human yearnings. I am satisfied with the happiness
and the sufferings of a man. Since I am assured of Gopa's love, I care
not for Nirvana. I think that this world is good enough for me.
_V._ [_Looks around like a spy._]
How peaceful lies this palace, yet I see
The war clouds lour upon its roofs.
The storm will break with sudden vehemence upon
These harmless unsuspecting people. Woe to them,
Their doom is certain. Desperate resistance
Succumbs before the overwhelming forces
Of Bimbisara.--And what will become
Of poor Yasodhara?--I like her well.
I might still save her from her people's ruin.
A princess, sweet and noble, and herself
Descended from an ancient royal house. But
I hate that little youngster Rahula.
Whate'er betide, my deep-laid schemes will speed
And I shall profit by my master's doom.
[Music: Chopin's Nocturno. Opus 37, No. 2.]
[CURTAIN]
THIRD SCENE.
[Darkness covers the scene. Distant thunder and lightning. Gradually
it grows light again and the scene of YASODHARA'S bedroom becomes
visible. All luxury has been removed; she sleeps on a mat on the
floor, RAHULA in bed.]
_R._ Mother! Mother!
_Y._ Sleep my boy, it is almost midnight.
_R._ Take me up, Mother.
_YASODHARA picks RAHULA up._
_R._ Why do you sleep on the floor, Mother?
_Y._ Because father does so. Let me lay you down on your couch, you
must sleep.
_R._ Tell me more of father.
_Y._ I will to-morrow.
_R._ Tell me now. Is father a king?
_Y._ No, my son. But he is going to found a kingdom.
_R._ Will he be king of it?
_Y._ I do not know, my boy, but his kingdom will not be like other
kingdoms. It will be the kingdom of truth--a spiritual kingdom, a
kingdom of righteousness.
_R._ Is father rich?
_Y._ He scorns riches.
_R._ Why does he?
_Y._ He seeks other riches, the riches of religion, of the mind, of
spirit.
_R._ Did he find them?
_Y._ I believe he did.
_R._ He sends you news through Kala Udayin.
_Y._ No, Rahula, I send Kala Udayin out to watch him and when Kala
comes back he tells me what he saw and heard. Kala does not speak to
father.
_R._ Why does Kala not speak to father?
_Y._ Grandfather forbade him. When we sent out Devadatta and Ananda,
they became attached to the life of a hermit. They joined father and
did not come back; but Kala will not turn monk.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account