The Buddha: A Drama in Five Acts and Four InterludesCarus, Paul
Religion
The Buddha: A Drama in Five Acts and Four Interludes
Carus, Paul
Buddhism -- Drama; Gautama Buddha
_N._ Mighty King, the generals are assembled. They hail thee as their
war lord, and are anxious for laurels, for glory, for booty!
[TRUMPETS, CURTAIN.]
_THIRD INTERLUDE._
_Living pictures accompanied by appropriate music._
1. SENDING OUT THE DISCIPLES.
The Buddha called his disciples together, and having ordained them,
bade them spread the Gospel, with these words translated from the
Buddhist Canon:
"Go ye now, O disciples, and wander forth for the benefit of the many,
for the welfare of mankind, out of compassion for the world. Preach
the doctrine which is glorious in the beginning, glorious in the
middle, and glorious in the end, in the spirit as well as in the
letter. There are beings whose eyes are scarcely covered with dust,
but if the doctrine is not preached to them they cannot attain
salvation. Proclaim to them a life of holiness. They will understand
the doctrine and accept it."
The Pali expression _kalyamo dhamma_ is here translated "glorious
doctrine." The dictionary defines the first word as "excellent,
beautiful, glorious." This closely corresponds to the Christian term,
which, as derived from the Greek, reads "evangel" and in its Saxon
equivalent "gospel" or "good tidings."
2. THE RICH YOUTH.
Yasa, the son of a wealthy nobleman of Benares, came by night to the
Blessed One and exclaimed: "What misery!" But the Buddha answered,
"There is no misery for him who has entered the Path."
Yasa, richly dressed, with an expression of distress, before the
Buddha who comforts him. The scene is framed in darkness, the two
figures being lit up by a torch.
3. A CHILD'S OFFERING.
Old frescoes in the Ajanta Caves show a mother sending a gift through
her child. It looks as if they were Buddhist illustrations of Christ's
injunction, "Suffer little children to come unto me."
ACT IV.
FIRST SCENE
[A room in the Jetavana. The wheel of the law pictured on one side and
the wheel of becoming on the other. Otherwise swastikas and lotus
flowers serve as ornaments. A large opening exhibits a view into a
garden with running water. On the right side there is a platform with
low seats, on the other there is a low table with a divan, on which
Anatha Pindika is seated, looking over palmleaf manuscripts.]
_Present: ANATHA PINDIKA (A); Servant (St.); PRINCE JETA (J);
later on KALA UDAYIN (K) and the BUDDHA (B)._
_A servant enters._
_St._ His Highness the Prince Jeta.
_A._ Show him in.
_JETA enters. A. rises to meet him with bows._
You are most welcome, my Prince.
_J._ I have come from my brother, the King, to express to you his
thanks for having bought my pleasure grounds for the noble and great
purpose of affording a worthy resthouse to the Buddha and his
brotherhood.
_A._ Kindly tender my gratitude to your royal brother for his gracious
message.
_J._ I hear that King Bimbisara has sent an embassy to the Buddha to
induce him to come back to Rajagaha. Has the Buddha received these
men?
Public-domain text, read in full here on John Shaqi.
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