incessantly hold before us this unique, this definitive ideal. But to-day, if we look away from the truth, from the ordinary experience of life, on what shall our eager glance rest? If we discard the more or less compensatory laws of conscience and inward happiness, what shall we say when triumphant injustice confronts us, or successful, unpunished crime? How shall we account for the death of a child, the miserable end of an innocent man, or the disaster hurled by cruel fate on some unfortunate creature, if we seek explanations loftier, more definite, more comprehensive and decisive than those that are found satisfactory in everyday life for the reason that they are the only ones that accord with a certain number of realities? Is it right that the poet, in his eager desire to contrive a solemn atmosphere for his drama, should arouse from their slumber sentiments, errors, prejudices and fears, which we would attack and rebuke were we to discover them in the hearts of our friends or our children? Man has at last, through his study of the habits of spirit and brain, of the laws of existence, the caprices of fate and the maternal indifference of nature--man has at last, and laboriously, acquired some few certitudes, that are worthy of all respect; and is the poet entitled to seize on the moment of anguish in order to oust all these certitudes, and set up in their place a fatality to which every action of ours gives the lie; or powers before which we would refuse to kneel did the blow fall on us that has prostrated his hero; or a mystic justice that, for all it may sweep away the need for many an embarrassing explanation, bears yet not the slightest kinship to the active and personal justice we all of us recognise in our own personal life? 24 And yet this is what the "interpreter of life" will more or less deliberately do from the moment he seeks to invest his work with a lofty spirit, with a deep and religious beauty, with the sense of the infinite. Even though this work of his may be of the sincerest, though it express as nearly as may be his own most intimate truth, he believes that this truth is enhanced, and established more firmly, by being surrounded with phantoms of a forgotten past. Might not the symbols he needs, the hypotheses, images, the touchstone for all that cannot be explained, be less frequently sought in that which he knows is not true, and more often in that which will one day be a truth? Does the unearthing of bygone terrors, or the borrowing of light from a Hell that has ceased to be, make death more sublime? Does dependence on a supreme but imaginary will ennoble our destiny? Does justice--that vast network woven by human action and reaction over the unchanging wisdom of nature's moral and physical forces--does justice become more majestic through being lodged in the hands of a unique judge, whom the very spirit of the drama dethrones and destroys? 25