It is true that the fatality shown is no longer the goddess of old, or rather (at least to the bulk of mankind) the clearly determinate God, inflexible, implacable, arbitrary, blind, although constantly watchful; the fatality of to-day is vaster, more formless, more vague, less human or actively personal, more indifferent and more universal. In a word, it is now no more than a provisional appellation bestowed, until better be found, on the general and inexplicable misery of man. In this sense we may accept it, perhaps, though we do no more than give a new name to the unchanging enigma, and throw no light on the darkness. But we have no right to exaggerate its importance or the part that it plays; no right to believe that we are truly surveying mankind and events from a point of some loftiness, beneath a definitive light, or that there is nothing to seek beyond, because at times we become deeply conscious of the obscure and invincible force that lies at the end of every existence. Doubtless, from one point of view, unhappiness must always remain the portion of man, and the fatal abyss be ever open before him, vowed as he is to death, to the fickleness of matter, to old age and disease. If we fix our eyes only upon the end of a life, the happiest and most triumphant existence must of necessity contain its elements of misery and fatality. But let us not make a wrong use of these words; above all, let us not, through listlessness or undue inclination to mystic sorrow, be induced to lessen the part of what could be explained if we would only give more eager attention to the ideas, the passions and feelings of the life of man and the nature of things. Let us always remember that we are steeped in the unknown; for this thought is the most fruitful of all, the most sustaining and salutary. But the neutrality of the unknown does not warrant our attributing to it a force, or designs, or hostility, which it cannot be proved to possess. At Erfurt, in his famous interview with Goethe, Napoleon is said to have spoken disparagingly of the dramas in which fatality plays a great part--the plays that we, in our "passion for calamity," are apt to consider the finest. "They belong," he remarked, "to an epoch of darkness; but how can fatality touch us to-day? Policy--_that_ is fatality!" Napoleon's dictum is not very profound: policy is only the merest fragment of fatality; and his destiny very soon made it manifest to him that the desire to contain fatality within the narrow bounds of policy was no more than a vain endeavour to imprison in a fragile vase the mightiest of the spiritual rivers that bathe our globe. And yet, incomplete as this thought of Napoleon's may have been, it still throws some light on a tributary of the great river. It was a little thing, perhaps, but on these uncertain shores it is the difference between a little thing and nothing that kindles the energy of man and confirms his destiny.