Many are the doors of the spirit that lead
Into the inmost shrine:
And I count the gates of the temple divine,
Since the god of the place is God indeed.
And these are the gates that God decreed
Should lead to his house:--kisses and wine,
Cool depths of thought, youth without rest,
And calm old age, prayer and desire,
The lover's and mother's breast,
The fire of sense and the poet's fire.
But he that worships the gates alone,
Forgetting the shrine beyond, shall see
The great valves open suddenly,
Revealing, not God's radiant throne,
But the fires of wrath and agony.
VILLIERS DE L'ISLE-ADAM.
Up from the darkness on the laughing stage
A sudden trap-door shot you unawares,
Incarnate Tragedy, with your strange airs
Of courteous sadness. Nothing could assuage
The secular grief that was your heritage,
Passed down the long line to the last that bears
The name, a gift of yearnings and despairs
Too greatly noble for this iron age.
Time moved for you not in quotidian beats,
But in the long slow rhythm the ages keep
In their immortal symphony. You taught
That not in the harsh turmoil of the streets
Does life consist; you bade the soul drink deep
Of infinite things, saying: "The rest is naught."
DARKNESS.
My close-walled soul has never known
That innermost darkness, dazzling sight,
Like the blind point, whence the visions spring
In the core of the gazer's chrysolite ...
The mystic darkness that laps God's throne
In a splendour beyond imagining,
So passing bright.
But the many twisted darknesses
That range the city to and fro,
In aimless subtlety pass and part
And ebb and glutinously flow;
Darkness of lust and avarice,
Of the crippled body and the crooked heart ...
These darknesses I know.
MOLE.
Public-domain text, read in full here on John Shaqi.
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