7. John Gay's _The Present State of Wit_ (1711); and a section on Wit from _The English Theophrastus_ (1702). (I, 3) [#14800] 8. Rapin's _De Carmine Pastorali_, translated by Creech (1684). (II, 3) [#14495] 9. T. Hanmer's (?) _Some Remarks on the Tragedy of Hamlet_ (1736). (III, 3) [#14899] 10. Corbyn Morris' _Essay towards Fixing the True Standards of Wit, etc._ (1744). (I, 4) [#16233] 11. Thomas Purney's _Discourse on the Pastoral_ (1717). (II, 4) [#15313] 12. Essays on the Stage, selected, with an Introduction by Joseph Wood Krutch. (III, 4) [#16335] Third Year (1948-1949) 13. Sir John Falstaff (pseud.), _The Theatre_ (1720). (IV, 1) [#15999] 14. Edward Moore's _The Gamester_ (1753). (V, 1) [#16267] 15. John Oldmixon's _Reflections on Dr. Swift's Letter to Harley_ (1712); and Arthur Mainwaring's _The British Academy_ (1712). (VI, 1) 16. Nevil Payne's _Fatal Jealousy_ (1673). (V, 2) [_in preparation_] 17. Nicholas Rowe's _Some Account of the Life of Mr. William Shakespear_ (1709). (Extra Series, 1) [#16275] 18. Aaron Hill's Preface to _The Creation_; and Thomas Brereton's Preface to _Esther_. (IV, 2) [#15870] * * * * * * * * * * * * * * [Errors and Anomalies Noted by Transcriber: Introduction (1949): it is unreasonable to expect... _text reads_ is it... Dedication: Lord-President of Her HAJESTY's most / Honourable Privy-Council. _so in original_ Act I Ad I long to know their Secrets. _The word "ad" with related forms ("adod") occurs several times in the play_ Sir _Jealousie Traffick_ The name occurs twice in this form. Act II _Enter _Mirand_._ _The name occurs in this form four times: twice where the full form _Miranda_ is expected, twice in place of its usual abbreviation _Miran._ Sir _Geo._ Whate'er her Reasons are for disliking a me _reading "a" uncertain_ Act II scene iii (_Beat_'s Marplot_ all this while he cries _Thieves_._ _punctuation and typography as in original_ Act II scene iv Sir _Fran._ No, that's a Miracle! But there's one thing you want... _text reads_ one thing you wan't _Miran._ The Gardner describ'd just such another Man _text gives two consecutive lines to Marplot_ Act IV scene ii (Isabinda _throws her self down before the Closet-door as in a Sound._ _so in original_: swound? Act IV scene iv _Enter Sir _Francis_ and _Marplot_ _text reads_ Marplott Act V scene iv Changes to the Inside the House. _so in original_ Act V final scene Sir _Geo._ With all my Heart; call'em in. _text reads_ with all my ]