North of the Hippodrome stood the great church which Constantine erected for his Christian subjects, and dedicated to the Divine Wisdom (_Hagia Sophia_). It was not the famous domed edifice which now bears that name, but an earlier and humbler building, probably of the Basilica-shape then usual. Burnt down once in the fifth and once in the sixth centuries, it has left no trace of its original character. From the west door of St. Sophia a wooden gallery, supported on arches, crossed the square, and finally ended at the “Royal Gate” of the palace. By this the emperor would betake himself to divine service without having to cross the street of the Chalcoprateia (brass market), which lay opposite to St. Sophia. The general effect of the gallery must have been somewhat like that of the curious passage perched aloft on arches which connects the Pitti and Uffizi palaces at Florence. The edifices which we have described formed the heart of Constantinople. Between the Palace, the Hippodrome, and the Cathedral most of the important events in the history of the city took place. But to north and west the city extended for miles, and everywhere there were buildings of note, though no other cluster could vie with that round the Augustaeum. The Church of the Holy Apostles, which Constantine destined as the burying-place of his family, was the second among the ecclesiastical edifices of the town. Of the outlying civil buildings, the public granaries along the quays, the Golden Gate, by which the great road from the west entered the walls, and the palace of the praetorian praefect, who acted as governor of the city, must all have been well worthy of notice. A statue of Constantine on horseback, which stood by the last-named edifice, was one of the chief shows of Constantinople down to the end of the Middle Ages, and some curious legends gathered around it. [Illustration] Fifteenth-Century Drawing Of The Equestrian Statue Of Constantine. It was in A.D. 328 or 329—the exact date is not easily to be fixed—that Constantine had definitely chosen Byzantium for his capital, and drawn out the plan for its development. As early as May 11, 330, the buildings were so far advanced that he was able to hold the festival which celebrated its consecration. Christian bishops blessed the partially completed palace, and held the first service in St. Sophia; for Constantine, though still unbaptized himself, had determined that the new city should be Christian from the first. Of paganism there was no trace in it, save a few of the old temples of the Byzantines, spared when the older streets were levelled to clear the ground for the palace and adjoining buildings. The statues of the gods which adorned the Baths and Senate House stood there as works of art, not as objects of worship.