Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
THE CABALA
_By_
THORNTON NIVEN WILDER
_NEW YORK_
ALBERT & CHARLES BONI
1926
_To my friends at the American Academy
in Rome, 1920-1921_
_The Cabala_
Book One: First Encounters
Book Two: Marcantonio
Book Three: Alix
Book Four: Astrée-Luce and the Cardinal
Book Five: The Dusk of the Gods
BOOK ONE: FIRST ENCOUNTERS
The train that first carried me into Rome was late, overcrowded and
cold. There had been several unexplained waits in an open field, and
midnight found us still moving slowly across the Campagna toward the
faintly-colored clouds that hung above Rome. At intervals we stopped at
platforms where flaring lamps lit up for a moment some splendid
weather-moulded head. Darkness surrounded these platforms, save for
glimpses of a road and the dim outlines of a mountain ridge. It was
Virgil's country and there was a wind that seemed to rise from the
fields and descend upon us in a long Virgilian sigh, for the land that
has inspired sentiment in the poet ultimately receives its sentiment
from him.
The train was overcrowded, because some tourists had discovered on the
previous day that the beggars of Naples smelt of carbolic acid. They
concluded at once that the authorities had struck a case or two of
Indian cholera and were disinfecting the underworld by a system of
enforced baths. The air of Naples generates legend. In the sudden exodus
tickets for Rome became all but unprocurable, and First Class tourists
rode Third, and interesting people rode First.
In the carriage it was cold. We sat in our overcoats meditating, our
eyes glazed by resignation or the glare. In one compartment a party
drawn from that race that travels most and derives least pleasure from
it, talked tirelessly of bad hotels, the ladies sitting with their
skirts whipped about their ankles to discourage the ascent of fleas.
Opposite them sprawled three American Italians returning to their homes
in some Apennine village after twenty years of trade in fruit and
jewelry on upper Broadway. They had invested their savings in the
diamonds on their fingers, and their eyes were not less bright with
anticipation of a family reunion. One foresaw their parents staring at
them, unable to understand the change whereby their sons had lost the
charm the Italian soil bestows upon the humblest of its children, noting
only that they have come back with bulbous features, employing barbarous
idioms and bereft forever of the witty psychological intuition of their
race. Ahead of them lay some sleepless bewildered nights above their
mothers' soil floors and muttering poultry.
Public-domain text, read in full here on John Shaqi.
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