Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
Benjamin married the daughter of another magnate, a girl who in another
age and faith would have retired to a convent and eased the poverty of
her mental and spiritual nature in a perpetual flow of damp
unexplainable tears. She bore a sickly son to the world of brownstone, a
son in whom the æsthetic impulse stifled during so many generations of
Griers and Halletts, attained a piteous flowering, a passion for the
operas of Rossini, and for things he fondly took to be Italian, garish
rosaries, the costumes of the peasant of Capri, and the painting of
Domenichino. He married a firm sharp woman, older than himself, who had
deliberately chosen him in the vestry of the Presbyterian Church. They
were incredibly wealthy, with that wealth that increases in the dark
and, untended, doubles in a year. With the affiliation of this
determined Grace Benham one last offspring was made possible to the
Grier line,--our Miss Grier. To the score of governesses that trod
sobbing on one another's heels, she appeared a monster of guile and
virulence. She was dragged without rest from New York to Baden-Baden,
from Vevey to Rome, and back again; and she grew up without forming any
attachment to place or person. Her parents died when she was twenty-four
and finally sheer solitude did what exhortation could not do: her
character softened in an attempt at piteously luring people to talk to
her, live with her, to fill somehow the moneyed emptiness of her days.
Such an account of her extraction, if she read it, would have neither
interested her nor embarrassed her. Her mind lay under the hot breath of
a great fretfulness; she lived to ridicule and insult the fools and
innocents of her social circle. In this fretfulness floated all the
enthusiasms and frustrations of her line: her great-grandfather's gloom,
her grandfather's whip and his dread of the Valley of Bones, her
grandmother's red eyes and her father's repressed loves for the Normas
and Semiramides of the Academy of Music. She was restless too, with the
masculine capacities inherited from her grandfather, the capacities of a
business magnate, that given her sex and situation could find their only
outlet in a passion for making women tremble and a mania for interfering
in the affairs of others. She was with all this a woman of intelligence
and force; she ruled her eccentric and rebellious parish with acrid
pleasure and at her death the drawing-rooms of Rome resounded with a
strange wild murmur of muted joy.
Public-domain text, read in full here on John Shaqi.
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