Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
By the way, are there any books you'd like us to lend you?
Thank you. That would be fine.
What, for instance?
Anything.
Think of one you'd like especially.
Oh, anything. I'm not particular. Only I suppose it would be hard to
find any translations from the Greek?
Here I offered to bring in a Homer in the original and stammer out an
improvised translation.
Oh, I should like that most of all, he cried. I know Chapman's well.
I replied, unthinking, that Chapman's was scarcely Homer at all, and
suddenly beheld a look of pain, as of a mortal wound, appear upon his
face. To regain control of himself he bit his finger and tried to smile.
I hastened to add that in its way it was very beautiful, but I could not
recall my cruelty; his heart seemed to have commenced bleeding within
him.
Blair asked him if he had almost enough poems for a new book.
I don't think about books any more, he said. I just write to please
myself.
But the insult to Chapman had been working in him; he now turned his
face away and great tears fell upon his hands. Excuse me. Excuse me, he
said. I'm not well, and I seem to ... to do this about nothing.
There was a search for a handkerchief, but none being found he was
persuaded to use mine.
I don't want to go away without seeing Francis, said Blair. Do you know
where I might find him?
Yes, yes. He's around the corner at the Café Greco. I begged him to go
and get some coffee; he'd been here all day.
So Blair left me with the poet, who seemed to have forgiven me and was
ready for the hazards of further conversation. Feeling it was better I
did the talking, I began to discourse upon everything, on the fireworks,
on the wildflowers of Lake Albano, on Pizzetti's sonata, on a theft in
the Vatican library. His face showed dearly what matter pleased him; I
experimented on it, and discovered that he was hungry for hearing things
praised. He was beyond feeling indignant at abuses, beyond humor, beyond
sentiment, beyond interest in any bits of antiquarian lore. Apparently
for weeks together in the wretched atmosphere of the sick-room Francis
had neglected to speak highly of anything and the poet wanted before he
left the strange world to hear some portion of it praised. Oh, I laid it
on. His eyes glowed and his hands trembled. Most of all he desired the
praise of poetry. I launched upon a history of poetry, calling the
singers by name, getting them wrong, assigning them to the wrong ages
and languages, characterizing them with the worn epithets of an
encyclopœdist, and drawing upon what anecdotage I could,--all bad, but
somehow marshalling the glorious throng. I spoke of Sappho; of how a
line of Euripides drove mad the citizens of Abdera; of Terence pleading
with audiences to come to him rather than to the tight-rope walkers; of
Villon writing his mother's prayers before the great picture-book of a
cathedral wall; of Milton in his old age, holding a few olives in his
hand to remind himself of his golden year in Italy.
Public-domain text, read in full here on John Shaqi.
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